The collection · DiffusionLab

A tunnel mouth squared out of rock within a courtyard open to the sky, shift lens elevation of a facade, dust specks printed into the sky. Work 8000.

A bobbin-laden camera pointed at its own monitor against undyed linen gone honey, the Iron Curtain years, the hall let them have it for nothing, listed building consent photograph. Work 7998.

The Maya classic period, a gold-edged hobgoblin sergeant above a marble dado, contre jour sunrise still. Work 7994.

The last season of hand lettering: a marginal scale bar in three units amidst a floor of unrolled sheets, haze filled hall held level, grain visible in a hall shadow. Work 7992.

A man in a ribbed collar too high to turn in in front of a blood-red alcove, the doors were numbered but not labelled. Work 7989.

A trunk-laden tiled corridor of identical doors, the season the funicular opened, violet ink number in a margin. Work 7984.

Direct on-camera flash in a small room of an exit sign glowing over a stair and a someone else's hand on the microphone, an August with no fan, film pushed in the tank by guesswork. Work 7972.

The second half of the decade, a woman in gold jewellery in a tan leather seat inside a shop front of painted cardboard, emulsion scratch running the length, noise reduction leaving a soft edge. Work 7965.

A figure in mirrored lenses among carvings, a day the stone stayed cool, low angle up a stone stair, print graded warm on the stone. Work 7958.

A vapour-wreathed lift bank of eight numbered doors, a spring of long daylight, long lens at two hundred millimetres. Work 7954.

A tap dancer on a staircase, the Song dynasty, lift indicator detail plate, foxing on the print. Work 7947.

A doorway with a single bulb above it and an inspection gantry level with a parapet, official report frontispiece, offset litho in four muted inks. Work 7943.

Kharisiri among parked machines in mist, the Counter-Reformation years, panorama rotunda painting, flash balanced to a green interior. Work 7935.

A road station of two rooms and a yard and an official in a ribbed grey overcoat near a trough cut from one block, the first crossing of the gorge, glare and dust lighting scheme. Work 7933.

A wall niche with a small stone figure within an inner court open to the sky in the years nothing was carried out, watercolour over a graphite grid. Work 7931.

The winter the wing was shut: a bunch of forced rhubarb inside a border of printed scrollwork, tint laid in a mechanical dot, matt bromide in a warm grey. Work 7915.

A vast wall corner meeting a haze horizon within a trench of teal light, an unnumbered year, the floodlight was on at midday, poster style flat elevation. Work 7896.

The long thaw: low horizon under an enormous wall of rock of a chain of seven towers along one ridge behind a padded door. Work 7890.

The years of the works, a faded oxblood concrete face the height of a hill with one door dwarfed by the wall behind it, underexposed for deep shadow. Work 7862.

A dogged conning position with three small ports, the last season of the great hull, diorama lit from a hidden slot, hand tinted albumen print. Work 7855.

The spring of 1952: a cedar-shadowed Iznik tile, teal shadow under a viaduct arch, minilab balance gone warm. Work 7842.

The century of the cut settlements: a crane standing over a half-built block through a portal squared out of rock, one point perspective down a colonnade, large format sheet film at f45. Work 7825.

A mile-deep sculptural headcloth snapping in a rising thermal, the age of the walking routes, architectural scale applied to a person, gate weave on a very long hold. Work 7824.

A cook shack with a long stovepipe, documentary film frame in monochrome, they burnt the slash in September, matte black set surround cropped tight. Work 7820.

1970s cartoon, glass negative scratched at the edge. Work 7802.

Pushed monochrome night photograph of a steel door with a kicked panel through a puddle on a yard slab, the last month of the tenancy, reversal film with crushed blacks. Work 7800.

An espalier pear on a warm wall under a hat brim in strong sun, 1914, ornamental border struck from brass rule, gloss varnish over a flat panel. Work 7788.

Cartouche engraved in the rococo manner of a graduated quay with numbered warehouses, the last hand coloured issue, engraving on a dampened handmade sheet. Work 7783.

Quirky 1960s constructivist deco, retro tech, Project film, print with a retouched background. damaged film, film grain. Work 7780.

An iara in front of shadows cast on brick in the bossa nova years, matte painting with a hazed monolith, old glass corroded and pitted by rain. Work 7776.