DiffusionLab

The vintage era of AI art, and its electric sheep.

The collection

All 1375 keywords
A courier with a locked attache case, the Renaissance, Sears catalogue plate, emulsion lifted at a print corner. Work 7134.
Quirky 1960s constructivist country club, retro tech, Project film, print with a retouched background. damaged film, film grain. Work 7124.
Quirky 1960s constructivist, retro tech, Project film, print with a retouched background. damaged film, film grain. Work 7114.
Quirky 1960s constructivist, retro tech, Project film, print with a retouched background. damaged film, film grain. Work 7106.
Quirky 1960s constructivist, retro tech, Project film, print with a retouched background. damaged film, film grain. Work 7104.
Quirky 1960s constructivist, retro tech, Project film, print with a retouched background. damaged film, film grain. Work 7103.
A perfumed woman in a tailored waistcoat holding two flutes beside a couple wrapped in a white quilt on black hide, the last good quarter, poster illustration in hot enamel colour. Work 7087.
A level-eyed English punt chauffeur in the Aztec years, flat ink pulled through a coarse mesh, albumen print pasted to a stiff leaf. Work 7085.
A suited figure beside a tank taller than a hall, the second generation of gantries, wood engraving in a weekly paper, heavy-black chromogenic print. Work 7065.
Long lens compression across a flat of a well head ringed with poured concrete and a sealed desert suit standing in open sand, the quiet centuries, offset lithograph in four earth inks. Work 7039.
The second colonial decade: a tarpaulin-covered screen wall selling something in two tongues, airbrushed genre poster treatment, heavy atmospheric density. Work 7036.
Quirky 1960s claymation, creatures and skeletons archival 16mm broadcast telelvision still kodachrome. Work 7030.
Quirky 1960s claymation, creatures and skeletons archival 16mm broadcast telelvision still kodachrome. Work 7029.
Architectural photograph with a shift lens of a woman in a gold belt on a black lacquer table in winter 1983, grain enlarged from a small frame. Work 7015.
Portrait with lips printed in one scarlet of a mug shot flattened to two tones and an earring printed as a white dot, a proof pulled before lunch, a bubble in the ink surface. Work 7013.
The debut sleeve: a high-gloss palette with a chrome mix on it, gouache illustration of a horn line, dye and airbrush on hot pressed board. Work 6974.
A blackwork coif with silver spangles made of shepherdess with a crook among worked slips of flowers, 1712, a sampler pressed flat under glass. Work 6950.
A camp of two under an enormous bole, austere composition with one vertical accent, the lap of the figure had been slept in, lithograph in four muted stones. Work 6916.
Sequence frame of a procession passing of a figure holding a triangle of thin steel and a yoke carved from a single beam, the third year of the same route, colour balanced to grey daylight. Work 6901.
An assistant in dusty pink facing the lens listed as item two hundred, the year the gallery was glazed, specimen plate on a plain ground, offset litho on dull cream stock. Work 6892.
A stood in a row observer with a magenta filter over the eyes, the era before the site was named, ceremonial stillness in the frame, colour separation with a cyan shadow bias. Work 6865.
Memorial portrait of postmodern 80s fashion, ministry-grade, complementary colours. Work 6846.
The parrot belonged to the bar: a man in a lilac jacket holding a marina flag in the boom on the waterfront, slow shutter frame of neon at dusk, print with the blues pushed to ink. Work 6840.
A spectacled fireman's face in blown-out orange under a hard studio lamp, the week the pink ink arrived, the second colourway was worse on purpose, flat head over a printed dot screen. Work 6838.
A woman in a sun visor on a pit lane bench at the exit of the hairpin in the gold livery years, Fujichrome 100D transparency. Work 6837.
A distempered man in a linen blazer with sleeves pushed up in the opening years of the 1950s, sepia toned silver print, stereo pair on one mount. Work 6826.
A chief surveyor in a dusty pink coat in the style of a chart table flanked by two lamps against a panelled wall of dusty pink, the summer of the great triangulation. Work 6818.
A suit hung on a wooden frame, the third watch of the old order, overcast light with one break of sun, ambrotype with a deep green ground. Work 6814.
A rail-tracked survey party standing in a straight line in 1862, no visible source and a full exposure, gelatin dry plate on a weighted stand. Work 6810.
Portrait with the horizon removed of a figure in a hat the width of a table, grain visible only in the flat ground, print toned slightly toward olive. Work 6787.