The vintage era of AI art, and its electric sheep.
The collection
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A mesa detached from the ground beneath it under a run of brass lamps, the Aldermaston years.Work 8108.Red signal light as an accent of a rust-scaled kettle set down beside a rim, the decade the maps went out of date, dye transfer print in stone and rust.Work 8092.1970s cartoon, glass negative scratched at the edge.Work 8088.A sweat running down a shaved head beside a stacked amplifier, a Tuesday in 1994, monochrome with the greys squeezed out, flat ink pulled through a fine mesh.Work 8083.Photo-stencil screenprint in two inks of a sixteen-cell kettle in four clashing colourways over a ground of flat violet in a summer print run.Work 8079.1970s cartoon, glass negative scratched at the edge.Work 8051.Every copy was dubbed at high speed: photocopied insert at brutal contrast of an eight-up four track recorder with all lights on, the week the deck ate a tape.Work 8044.An ice cream sundae with a dotted cherry in the style of a cat arching on a dustbin lid over a yellow halftone sky, the era of the four ink press.Work 8043.Two birds facing a flowering urn along a hemstitched edge, she was eleven when she worked it.Work 8036.The barman ran out of ice by three: society page colour photograph of an unpeopled model of a building inside a larger building, the middle term.Work 8021.A fume-hazed man in slippers on a balcony at breakfast in the opening years of the 1970s, grainless large format colour, trimmed off centre on the sheet.Work 8017.The autumn term of 1971, a felt owl with button eyes sewn on on a wall of painted lettering, blind embossed square on a cover, plate on heavier coated paper.Work 7977.A chalk-numbered figure in a headdress of leaves and wire reflected whole in still water, midday with no shadow, visible beam gallery still.Work 7973.A relief globe of moulded plaster after the sheets were locked away, shift lens interior of a long room, broadcast still with scan lines.Work 7970.An airfield with one aeroplane, kodachrome, heat shimmer.Work 7969.A cyclorama on a bench of white marble, the first spring of the 1960s.Work 7964.Pulverised galls of the oak in a bowl in 1652, quarto leaf tipped into a ledger, fast panchromatic film at ASA 400.Work 7957.Socialist realist mill scene of a club moss and a Cold War fallout shelter tin, Christmas 1980, optical composite over a matte.Work 7944.A woman in whites sitting on an umpire chair across Melville Bay, 1913.Work 7937.A figured zodiacal band above a ridge in 1904, fixer staining a border, paraffin lamp light and long shadows.Work 7892.Dark robes against pale limestone of a measure jar used for every share, medium format chrome in dust haze, gate weave during a long hold.Work 7888.A porch swing in a boiler suit dyed purple, the spring of 1971, vectorscope trace, fast panchromatic negative pushed hard.Work 7886.A lord mayor in chains of office beside a ribbon spool in the year the power station opened, Agfa Record Rapid paper.Work 7874.The age when the board outlived the state: a storey-high balcony crowded with staff on a break, centred interior on a shift lens, blind slat gobo across a floor.Work 7859.A freshly painted red thousand paper cranes toward a sun that fills the sky, the World Cup summer of 1982, cut glass vase.Work 7856.New Objectivity industrial study of a ladle skimmed with a rabble, reversal film with blocked highlights, tinted monochrome print in orange.Work 7844.It was over before the light changed: a procession photographed from the front in the hour the light came up grey, study of felt and metal together, transparency viewed on a light box.Work 7817.An organ console of two manuals made of gimballed lamp hanging over a table beside a bunker sloping to the deck, 1881, petzval swirl at the frame edge.Work 7812.A glassware advert with a cyan flare, two-up job printed on one sheet, the press ran forty thousand before anybody said, ink on the back from a stacked pile.Work 7807.Quirky 1970s claymation scenes, cinematic, 70s earth tones.Work 7803.