The collection · DiffusionLab

Dystopian 1940s constructivist monument, modern art, Project film, print with a retouched background. damaged film, film grain. Work 9019.

Dystopian 1950s constructivist cult monument, modern art, Project film, print with a retouched background. damaged film, film grain. Work 9010.

A half-derelict vent stack standing clear of a crest, the age of the sealed suit, modeller's prototype reference photograph, slow emulsion with deep blacks. Work 9009.

A cook stirring a cauldron and a physician holding up a flask in the bas de page, the Carolingian period, double column layout with a miniature. Work 9001.

A woman in a straw hat scoring laps by hand inside a hotel lobby full of drivers in qualifying afternoon 1981, Ektachrome pushed one stop. Work 9000.

A bell jar over a stuffed bird within a fitted case lined with baize, the ladder was moved twice a year. Work 8989.

Frontal portrait of a helmeted figure of an attendant screwing a helmet down in the century the shimmer was mapped, carbro print with soft edges. Work 8986.

The 1938 edition, girls in a ring holding hands in the margin beside a poem, paper browned at the fore edge, a name written inside the front cover. Work 8984.

A mission-belled flat horizon with one machine on it beside a smoke going flat in the rotor wash, the short season of clear mornings, banded sky colour treatment. Work 8980.

A lemon crate stencilled with a port name made of walkers on a stile above a valley at the end of a long platform, the 1931 winter season, pochoir plate with crisp edges. Work 8978.

A dwarfed steward carrying a sealed white tumbler, the season of the standing watch, spotless colour internegative. Work 8973.

Navajo weaving of a man in a linen suit raising a trophy overhead, colour balanced to the grey ground, bulk loaded film in a reused cassette. Work 8971.

A granite-faced wheel rut cut a hand deep into stone, the time when the figures had faces, frontal record of a colossal gateway, halation glowing at the gate opening. Work 8967.

1827, a hawfinch with a cherry stone on a shingle spit, outline printing dry in the thin lines, lithograph with the stone grain showing. Work 8964.

The year of the coast survey: a gallery rail of turned spindles behind a sloped clerk's desk, schools map handout figure, lithographic transfer on stone. Work 8953.

Type used as the only image of a figure in a padded stage costume on a flat roof terrace, silver print on matte fibre paper, hairline rule printed at a quarter point. Work 8949.

An autumn a hundred summers ahead, an audited stair core dropping into darkness crossing a floor of black stone, miniature effects photography. Work 8939.

A rail-worn Australian cattle dog in the Achaemenid years, Polaroid 779, late golden light. Work 8935.

A vetehinen and a hunt meet outside a country inn in the last bay before the dark, the Benin kingdom years, kalamkari panel. Work 8932.

Bargello worked in four wools of a tufted rooster worked in scarlet wool within a strawberry border in early 18th century. Work 8903.

Gouache elevation of a facade of a candlewick-covered glacier tongue behind a pastel facade, the week the expedition arrived, pastel chalk on cream stock. Work 8898.

A hangar-bound bow cap of riveted panels in the first season of the mast, cyanotype of an engineering plate, gum bichromate in two pulls. Work 8887.

Fat slab type with a gold rim of a band name in swollen bubble letters in matching white suits, the gatefold years. Work 8885.

A shepherd counting a flock below a tower at the foot of nine hundred steps in the second long winter, heroic scale study with a human for measure, cyanotype in slate blue. Work 8883.

High Victorian, a newsprint-tan medic bandaging a forearm after a preparation in the museum, the French atlas manner with soft tints. Work 8875.

A wryneck flattened against bark above a distant estuary, 1755, flat colour with a lithographic key line, colour sitting proud of the outline. Work 8866.

Stone grey with mint accents of an onlooker leaning on a rail high above in a telephone booth of mint panels, copy print from an original negative, emulsion mark along one edge. Work 8861.

Poster illustration in candy colours of beach-ready two men in pastel shirts hauling a marlin, summer 1985, dye sublimation print in high gloss. Work 8855.

One-roll document of a whole show of an unamplified hot spot of flash on a forehead toward a microphone held out flat in a hundred degree July. Work 8851.

A scale overlapped to shed the light, deadpan portrait of an impossible surface, it was cold to wear and she said nothing, meter reading taken off the shell. Work 8845.