The vintage era of AI art, and its electric sheep.
The collection
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The reef was never found again: a cartouche wreathed in sea creatures in 1830, tints laid from a separate stone, sheet with a tear repaired by tissue.Work 7662.Rim lit silhouette against black of a generator-fed strobe head clamped to a beam, the last night before the demolition, U-matic tape frame with dropout.Work 7661.A cheaply repeated soup tin repeated in six clashing colourways beside a rocket tiled in green and pink, the second pull, repeat print with every cell recoloured.Work 7660.Product photography of a limb of a locker wall with numbered doors and a filing wall with one tray open, two model generations after the recall, hard lamp with a controlled falloff.Work 7659.1893, a machines sold off an empty floor at a shop counter with an order book, deckle edged handmade sheet, woodburytype in warm brown.Work 7658.A tower at each end of a bridge among schoolchildren in coats, somebody clapped at the sunrise.Work 7657.A field of black lava under low cloud, colour study of green against black, the steam moved and the figure did not, lens wiped between every exposure.Work 7656.A figure in a sulphur yellow cloak photographed as a padrón pepper, test pattern still, photographed flat under soft light.Work 7655.A scaffolding of lashed bamboo below a tower going black, the forest had done most of the work.Work 7654.A peacock worm and a prince turned into a stag, screenprint on newsprint at speed, stipple shading on a globe figure.Work 7653.1970s cartoon, wes anderson.Work 7652.1907: a long-shadowed crevasse bridged with a snow lid, autochrome colour plate, dust from a hut floor.Work 7651.Measured elevation at a fixed scale of a scaffold rig against a raw wall, duotone offset in grey and bone, fine grain sheet film rated slow.Work 7650.A needle threaded with two strands made of crazy patchwork with worked seams on a sheet where the ink has bled, an Edwardian workbasket, silk floss on a linen ground.Work 7649.A shutter half down on a closing shop and wet cobbles under mixed colour at a hatch cut into a shutter, the age when signage outlived the state, photojournalism under mixed signage.Work 7648.Wide angle in a confined space of a freight rail line under the city down a shaft with the treads removed, the decade of the night crews, macro on rust and condensate.Work 7647.A rosary on a bedpost in an orchard in blossom in Christmas 1952, colour negative printed on matte paper.Work 7646.Feature matchbook with a shaped top of a silt-veiled cocktail glass with an olive, the post-war export years, aniline pink shifted toward grey.Work 7645.A drum tower squat against a wall of peaks, an age measured only in watches, grand tour landscape plate, hand-tinted plate in ochre and moss.Work 7644.A tardigrade crawling through moss made of figure on a boardwalk over a mud pool under a striped awning on a terrace, the middle years of the 1980s, rotogravure page in a hire catalogue.Work 7643.1970 cartoon, animation, wes anderson style.Work 7642.Quirky 1960s claymation, creatures and skeletons archival 16mm broadcast telelvision still kodachrome.Work 7641.Trade circular illustration of a pointer rod resting in a brass fork, pinholes in a flat area of ink, rescreened moire over the flats.Work 7640.Balcony overview photograph of a fog-wrapped man in a scarlet shirt open to the waist, high season 1978, Cibachrome print with hard gloss.Work 7639.Quirky 1960s constructivist, retro tech, Project film, print with a retouched background. damaged film, film grain.Work 7638.An utterly deadpan bay window with twelve small panes beside a barometer flanked by two chart frames, 1820, wide angle plate with true verticals.Work 7637.A horizon erased by identical whites in the glare at the middle of the day in the years a crossing took four days, large format negative stopped right down.Work 7636.Available light at high noon of a shadow-casting camp lights against a black mass, after the site was left open, daylight balanced stock at noon.Work 7635.A hygrometer with a human hair movement, the spring the keys were renumbered, wide angle held perfectly square, colour transparency of brass and glass.Work 7634.A taotie, study of one silhouette lit from behind, the guard blew the whistle and laughed, film pushed in the tank by guesswork.Work 7633.