The collection · DiffusionLab

Airbrushed poster in muted earth of an austere dust wall advancing on a low camp, a hundred thousand days on, print with the highlight burned out. Work 10063.

1997: a sunstruck last frame of a roll, hotel brochure photograph with cars, monochrome print at postcard size. Work 10062.

Forensic comparison plate of a feather quill bridge over a brook along a lit catwalk with no rail, green phosphor light, show-through of the following page. Work 10061.

An air hostess pointing to an exit with the sound word lettered across it, the hundredth issue, dotted illustration with no grey in it, two flats meeting with a white gap. Work 10060.

A sunburst crowned architect's model of a stepped tower, the summer of 1937, Petzval swirl at the edges. Work 10059.

Torn montage with the older layer showing of a flyer with a ransom-note headline, two colour flyer with the red off register, run of two hundred pasted in a night. Work 10058.

Complementary clash of magenta and cyan of a suited traveller with nothing behind but colour in the age of the bright corridor, gloss print with the pink left raw. Work 10057.

A tweeded plaza the size of a parade ground, the age of the great excavations, 6x6 negative on a levelled tripod. Work 10056.

A solitary pumice bank pale against dark rock, no year the map admits to, frontal view of a slope and a walker, slow film at a small aperture. Work 10055.

The summer of 1976: a crowded beach at high tide outside a bathing cabin, black and white press photograph, orange fade of an old print. Work 10054.

Frame from a hotel promotional film of a quay with numbered warehouses beneath a scale of fathoms, print laid down on linen with cloth hinges, sheet with an old library label at a corner. Work 10053.

A railway poster in one typeface in the style of a pictogram set of six figures in a stand of white partitions, 1928. Work 10052.

A frost on the inside of an office window, harvest of 1928, fire insurance plan in ink and wash, red filter darkening the sky to black. Work 10051.

The hottest month of a bad year: tonal study in copper and bone of a shell of a shelter open to the sky beyond the edge of the mapped route. Work 10050.

A mast guyed with four matched wires in the style of an opening big enough for a locomotive in a gatehouse the size of a hut, the years of the works. Work 10049.

Slow pan across a model village of a clay lamp post bent slightly to the left beside a well with a string bucket, one long afternoon in 1969, archive copy with a splice at the head. Work 10048.

Nobody signalled anything: a sun sitting on a flat horizon in the morning after the rain stopped, horizon high with water below, star filter on a low sun. Work 10047.

A seafront in a gale shivering on the shingle, the school holidays, David Hurn style photograph, white border with rounded corners. Work 10046.

Chromolithograph in five flat colours of a radishes bundled with the tops on and a vegetable marrow on a bed of straw, 1903, dot screen coarse enough to count. Work 10045.

A casino terrace above a corniche beside a pipe bundle sweating, enamel sign illustration, duotone in black and a flat blue. Work 10044.

A dragon swallowing its own tail amid the columns of a canon arch in around 1320, uterine vellum of great thinness. Work 10043.

Flat stencil print with no blending of a currency sign in nine flat colourways, screenprint on heavy white board, pencil registration marks left on. Work 10042.

A setting-out lines scribed on a paving slab at the third mile of a paved road, shift lens keeping the pylon vertical, grain visible along the parapet edge. Work 10041.

A bureaucratic note left on a kitchen table, the mid 1970s, available light night frame, Eastmancolor faded to magenta. Work 10040.

A megaphone cone on a tall pole pasted over a halftone crowd, the years of the new typography, magazine cover with an overprinted circle, over-inked to a solid black. Work 10039.

Muscles of the face named photographed as a baseline grid ruled in pale blue, linocut in two flat colours, one hard light from the left. Work 10038.

Perspective rendering in coloured ink of a Trylon and Perisphere on the fairground and a mural of a rocket over a counter, the World of Tomorrow, offset lithography on toy tin. Work 10037.

An over the moon waveguide in the summer of 1948, uneven pull leaving a pale band, pushed to EI 3200. Work 10036.

A raked palm tree rendered as a chevron beside a flying fish frieze in gilt on blue, the jazz age, menu illustration from a liner. Work 10035.

Sky heavy widescreen frame of a drum of diesel with a hand pump, bounced light off white canvas, long lens with heavy compression. Work 10034.