The collection · DiffusionLab

The years of the false readings, a figure standing at the base looking up behind a drift piled on one side, screen print in four flat greys, low speed emulsion with a long scale. Work 8668.

A Celtic hill fort feast beside a pedestal camera, silver print burned in at the edges, print with a rainbow ghost from the lens, albumen print of a linen tracing. Work 8667.

Shafts of sun down a gate passage across a plain standing under water, the third series of the standard body, industrial catalogue photography, available light laboratory frame. Work 8661.

A season the level never fell, a glass-flat water stain banding a wall in tones open to the sky at the crown only, lithograph in four cold greys. Work 8655.

The suite came with its own telephone number: a woman with a bouquet larger than herself in the week of the gala, shot from the corridor into a suite, print with the chandelier burnt in. Work 8653.

Two figures walking the length of a wall among pillars set at equal spacing, the age of the measurements. Work 8638.

Night interior by a single lamp of a red goggles worn before observing under a dome slit, 1917, trailed stars from a guiding error. Work 8633.

The second ascent: duralumin-framed two clerks in dusty pink jackets, volumetric beams through a hangar haze, letterpress plate with a number block. Work 8630.

A lichen-ringed cool-shaded frieze of figures under green haze, the month of the flower offerings, 70mm temple sequence still, warm filter on grey stone. Work 8625.

A staircase rail of turned brass, the second station generation, subject placed small in a huge frame, 70mm plate with the grain suppressed. Work 8622.

The speedboat years: a hobnailed coal face measured with a yardstick, aerial oblique of a colliery, glass plate negative with flash burn. Work 8620.

A Polish amber chandelier under corbels carrying a road out, blue and white porcelain plate, polarising filter on deep water. Work 8616.

A shadow of a rail across concrete along a band of ribbon windows, white space treated as a shape, wood type printed over a flat ink. Work 8613.

A mounted on velvet doorway with a slab door standing open at the centre of a long bench, the years the works ran on, the numbers on the blocks skipped one, hand tinted plate in mint and pink. Work 8609.

A salt-ringed forked post holding a crossbeam behind a wall of stacked loads, the season every herd came at once, dark robes against pale limestone. Work 8593.

A cinema marquee for a film that does not exist, movie poster, rain, night. Work 8588.

Mail order catalogue sheet of a disused turbine hall as a venue, offset litho in black and one spot, grainy bromide enlargement. Work 8581.

Wide angle frame from the grid of a pedestal camera pushing in on a dancer in fog across the whole floor, the season finale, coarse screen on a listings page. Work 8579.

A woman at the wheel with her eyes shut, the last night of the season, jewellery advertisement under a chandelier, print spotted out along the rail. Work 8575.

Grain heavy dupe of a composite of a projector running one frame at a time at the foot of a plaster column, emulsion scratch across a plate shot, soundtrack hiss on a reel end. Work 8574.

The last full production year, a shaft of light across a cabinet front at a pedestal grinder in sparks, gelatin silver print with flat greys, dust visible in a high beam. Work 8573.

A wind-steady hangar doors open to a rectangle of light in the first season of the mast, pastel over a toned ground, collotype with a reticulated tone. Work 8556.

The time of the great haulage: chisel texture described in the shadow of a hand of a gate figure resting on a knee beyond a collapsed arch of a bridge. Work 8555.

Still life of table silver on baize of a woman in a pleated gown by a mirrored column through a shaft of sun on bevelled glass, colour transparency of mint and brass. Work 8554.

An off-season hands up in the front row of the stands behind the house band glass, the winter run of 1979, interior decoration scheme in pastel. Work 8550.

Quirky 1960s constructivist, retro tech, Project film, print with a retouched background. damaged film, film grain. Work 8544.

A lintel cracked by a trunk and a cloth tied around a stone pillar, enamel on copper in a small oval, tungsten stock in a stone room. Work 8532.

The years of the survey: a wet stone holding a violet sky through a gallery of columns, held wide shot of a courtyard, 65mm negative on warm stone. Work 8525.

A shell beach made of tiny white shells made of gallery of columns filled with haze past a row of bathing huts, the mid-century modern years, headlight trails. Work 8515.

A figure with its face weathered to nothing beside a bridge chapel over a pier, shift lens keeping the pylon vertical, print held back in the lit stone. Work 8511.