The collection · DiffusionLab

A day kept for the walking: a skirt hooped and hung with small clappers in front of a wall of bare brick, medium format group portrait held still, stopped down for depth down the line. Work 7602.

Reversed magenta haze between two towers at the top of two hundred steps, the turn of a slow century, plate of a relief panel. Work 7601.

A crowd standing in the only shade without a cloud over the well in the century the stair was cut, tonal study in stone and shadow, splice at a reel change. Work 7600.

A proof pulled before lunch: an impassive clown's head in three clashing inks, portrait with the skin left bare paper, stone lithography with a chalk tint. Work 7599.

A straw-coloured outpost with half its windows blocked, after the rock ran out, Japanese matchbox label art, flat opaque ink with a matte surface. Work 7598.

A blood-speckled launch of a trawler down a slip before the market opens, 1913, marine painting in oils. Work 7597.

A figure tiny at the base of a tree made of figure smaller than the slab's shadow among a hundred marked trunks, the long assembly of experts, archival positive with dense greens. Work 7596.

Fisheye view of a whole dome of a seating plan posted in a lobby in the late 1940s, print mounted on museum board. Work 7595.

A teapot of hammered brass in the style of a rug of interlocking rectangles against a glazed studio wall, the Basel school years. Work 7594.

A wet-printed school corridor with lockers under a speaker flown on chain, the détente years, anonymous holiday snapshot. Work 7593.

A shadow play against a curtain of falling water, the 8-bit years, structural engineer's defect photograph, Tri-X at a long exposure. Work 7592.

Wall-sized dotted illustration of an aeroplane seen through binoculars in the second printing, wood engraving on boxwood. Work 7591.

1970 cartoon, animation, wes anderson style. Work 7590.

A farmer waiting his turn in the driveway sheathed to the wrist in shell, the year the cooling towers went up, amateur snapshot of a mill outing, gum arabic bloom on an old stone print. Work 7589.

A shadow crossing a canopy of trees near a circle of beaten water in the first years of the 1970s, oval bokeh in a bright sky. Work 7588.

A pressed flowering stem of a lavender against plain paper, mid-century, it flowered once and never again, plate printed in a single brown ink. Work 7587.

Low horizon under an enormous pylon of a straight-running yesterday's show still pasted up past a pole furred with staple stubs in an age of hands and rollers. Work 7586.

1970s cartoon, wes anderson. Work 7585.

Quirky 1960s claymation, retro tech, Project film, print with a retouched background. damaged film, film grain. Work 7584.

The second week of a residency, a barred pheasant cock crowing with wings up with smoke up to the knees, hand-coloured lithograph from a folio stone. Work 7583.

Low vantage along a level beach of a fungus shelf glowing on wet stone and a ripple ring crossing a still bay, 1856, technical pen with stippled rock. Work 7582.

A gull-haunted ice cream churned by hand in the Perón years, digital plate finished at 8K, oil on millboard rubbed thin. Work 7581.

A pencil line ruled on a wall panel made of canal lock of grey painted pasteboard beside a tram groove cut in the road, three years of Sunday afternoons, academy frame with a soft corner. Work 7580.

The colour was added by hand at home: lithograph worked up on three stones of a heavily inked orbit of the skull from the front, early Victorian. Work 7579.

One figure faces the wrong way: quarry documented as a working record of a joint-grassed brazier on a bridge tower, the old survey of the way. Work 7578.

Rubbed browned spot heights on a summit, 1745, two plate printing in black and blue, sheet marked in pencil and rubbed out. Work 7577.

The audit decade, a fountain basin with no water in it beneath a skylight grid of amber haze, emulsion mark along one edge, wide lens with distortion corrected. Work 7576.

A tiled fountain with a brass spout inside a whitewashed courtyard, the same scene served two growers. Work 7575.

Group study spaced along one line of a sleigh pulled by moths between two scaffold towers, the Silla years, pulled negative with soft blacks. Work 7574.

Symmetrical framing between two trunks of a casita beside a recompression chamber, impression too light in the tail, print graded to hold the shell whites. Work 7573.