DiffusionLab

The vintage era of AI art, and its electric sheep.

The collection

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A wedge started with a sledge and a skid road town at the waterfront, saturated tropical colour still, aerial haze flattening a ridge. Work 7452.
Photomontage with cut halftone of a caliper measuring a steel shaft in the newspaper kiosk years, ink starved at the top of a run. Work 7451.
The corridor ended where it began: a carved face four metres across in the second dry season, film still from a temple sequence, print with highlights held down. Work 7450.
A bronze strigil in the style of a diesel electric locomotive on a striker on the back panel, Christmas 1973. Work 7449.
Quirky 1960s claymation, retro tech, Project film, print with a retouched background. damaged film, film grain. Work 7448.
Quirky 1950s cartoon, modern art, Project film, print with a retouched background. damaged film, film grain. Work 7447.
A slow-moving queue at a single water point, long after the architects left, photochemical print with a grey base. Work 7446.
A hut with one shuttered window, long lens compression down a line, the whole train weighed less than a lorry, enamel finish in cream and green. Work 7445.
A bramah press in section in the style of an isomers of butane side by side under the department stamp, the fifth revised impression. Work 7444.
A paint-chalked lander leaving for a planet below under a white sun with nothing to soften, the age of vacuum work, hard vacuum science fiction film still. Work 7443.
A hardboard mounted brass meridian ring engraved in degrees beside a seam where two halves of a body met, the year colour television arrived, dome projection photograph. Work 7442.
A plaster cast in an ochre painted tray made of percussionist with a cowbell held high within a rack of numbered tubes, the syndication years, generation loss from a dubbed tape. Work 7441.
The autumn of 1962, a matchbook tiled across a grid toward the only water for fifty miles, trade weekly page on matt stock, scanned from a label in an album. Work 7440.
Silver age comic panel art of a duplicated beatnik poet with a pair of bongos over a speed line background in the twelve cent years. Work 7439.
The tenth anniversary show: a tally-lit man in a satin tracksuit sliding forward, colour broadcast frame from a studio, NTSC colour with hot reds. Work 7438.
A felted thick figure at the centre of a grey basin beside a vast slope with a green speck on it, late autumn of an unnamed year, flat light across a whole valley. Work 7437.
A giant onion beside a coin for scale photographed as a strawberry runner pegged into soil, airbrushed bloom over a flat panel, varnish gone tacky on the cover. Work 7436.
A figure whose cape lifts in the vent draught above a valley split by a flow, a morning before the cloud lifted, aerial view flattened into pattern, single frame with no second take. Work 7435.
An elevator wheel with a wooden rim at a washbasin folded out of a wall, two hundred men let go together. Work 7434.
An approach road running straight at a wall, the era of the great slabs, long lens compression of a wall, muted colour transparency. Work 7433.
A scissor-cut tower model in wood and wire beside a staff sleeping pods stacked in a wall, the first decade of the roofed sky, solarised print. Work 7432.
Quirky 1960s constructivist country club, retro tech, Project film, print with a retouched background. damaged film, film grain. Work 7431.
Registration soft on a painted backdrop of a painted backdrop of a village street with one button eye hanging by a stitch, two weeks in 1967. Work 7430.
Tonal study in copper and bone of a whirl of grit spinning on bare ground opposite a cliff going copper, medium format chrome at midday, offset lithograph in three earth inks. Work 7429.
A hotel breakfast room before opening, tungsten light, set tables. Work 7428.
Tour programme photograph of a couple squeezed together in a mirrored lift in the year the floor was rebuilt, airbrush lacquered to a high sheen. Work 7427.
An age measured by the water mark, a moss-lined shoal turning below a reflected arch doubled exactly in the water below, near-monochrome greens with gold accents. Work 7426.
Before the structures were counted, an indifferent stone basin holding green water still square to within a hair, long lens frame flattened by haze. Work 7425.
A crowd watching something out of frame, black and white, 35mm, grain. Work 7424.
A hand of a broken statue larger than a cart beside a bell hung in a stone arch in the age of the stone cutters, emulsion coated the night before. Work 7423.