DiffusionLab

The vintage era of AI art, and its electric sheep.

The collection

All 1375 keywords
A man in a linen suit lounging on a white bow among rows of numbered lamps, summer 1985. Work 10258.
A suited figure wrapped in a band of orange before a rectangle of glowing green, the era of the single traveller, figure edge-lit in a contrasting hue, hard colour print on gloss paper. Work 10154.
A movie poster for a spy film set in one hotel, 1963, geometric. Work 10146.
A movie poster for a silent comedy, lithograph, limited palette, 1924. Work 10112.
A suited figure silhouetted in a bright hatch inside a berth the width of a body in the white decade, gloss print on heavy paper. Work 9972.
A provincial hands folded in a lap crossing from left to right, the spring of 1968, Cahiers du cinema illustration. Work 9970.
The motion was carried: a busker's dog owner in the VHS era, papyrotomia paper cutting, blueprint with hand lettered notes. Work 9929.
Ministry of information photograph of an office junior carrying a tray of cups on a rug in front of the set, Dynachrome 25, a rescreened halftone. Work 9855.
A suited traveller against a wall of pure cyan at the edge of a widening white bar, the years without a horizon. Work 9620.
The second era of the corridor: a traveller in a suit of overlapping iridescent scales along a seam where two colours meet, spectral separation rendering, duplicate negative with the colour boosted. Work 9580.
A man in a striped blazer carrying two toboggans outside the lift house door in 1990, hard flash with a polished reflector. Work 9557.
A woman in a headscarf on a hotel roof terrace at a wheel stack behind a garage, the shift with no supervisor on, works handbook illustration, four colour halftone on gloss stock. Work 9539.
Complementary clash of magenta and cyan of a centred exactly traveller in a suit of overlapping iridescent scales within a field of undiluted magenta in the era before the gate was mapped. Work 9369.
Solar eclipse plate of a self satisfied operator with a headset facing the lens against a screen lit evenly across in the turn of the 1940s. Work 9368.
An eye enormous in a field of turquoise behind a field of light with no edge, beam made visible without any haze, print holding detail only in the suit. Work 9286.
A number-drunk woman in a pinstripe skirt suit on a ladder in the age of the unmeasured distance, wide gauge frame with a smooth gradient, dot matrix printout on fanfold paper. Work 9177.
A sealed desert suit at a doorway under a striped awning at a kerb, wood engraving on a fine block, screen print in six flat inks, platinum print on rag paper. Work 9075.
The first year of the car phone, a man in a tailored coat holding two sets of keys beside a barrier at a members gate, silkscreen on mirror board, six by seven chrome on a light box. Work 9064.
A half-derelict vent stack standing clear of a crest, the age of the sealed suit, modeller's prototype reference photograph, slow emulsion with deep blacks. Work 9009.
A groom's head in two clashing greys, portrait with the hair printed as a mass, the key was on the wrong hook, rephotographed print losing its detail. Work 9002.
Navajo weaving of a man in a linen suit raising a trophy overhead, colour balanced to the grey ground, bulk loaded film in a reused cassette. Work 8971.
A flat-tinted bicycle advert with a doubled wheel with a sticker pasted over the error, the second impression, commercial art reduced for a small advert. Work 8876.
A man in a double-breasted coat greeting the room on a modular leather sofa, the height of the boom, fashion plate in flat saturated colour, push processed colour negative. Work 8745.
A pastel-dulled valet pressing trousers on a folding board in 1860, petzval field with a soft rim, brass barrel lens with low contrast. Work 8733.
A soft-edged suited figure lit only along one edge, the seventh transit, 70mm print with the colour left screaming. Work 8600.
A movie poster for a courtroom drama, high contrast, hard shadows. Work 8523.
A man in a pale yellow jacket on a marble stair beneath an avenue of royal palms, late in the eighties. Work 8429.
A yellowed at the corners fairground gallopers beside a shoulder-padded power suit, Christmas 1945, phase contrast photomicrograph. Work 8360.
Memorial portrait of postmodern 80s fashion, ministry-grade, complementary colours, highly symmetrical face, detailed and perfect hands. Work 8357.
Betamax tape still of a bog garden beside a rail of matching suits, a faded dye coupler stain, Kodak Ektar 1000. Work 8350.