The vintage era of AI art, and its electric sheep.
The collection
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Keres above a flooded stone tank in the age of the pager, photogravure on plate paper.Work 10157.A sun-baked brass bell green with age over a tank reflecting a tower, the middle of the century, everything here was older than the map, orange stone against violet sky.Work 9409.Night photograph by flash powder of a yard floodlight mast at night, daylight colour film in flat light, flashbulb at close range.Work 9319.Backlit crowd rimmed in white of a forty steps cut into bedrock beneath a sky flat and white, the age when a well was the town, scratch along one sprocket edge.Work 8156.A fort wall with a corner bastion above a factory name in small type, a fiftieth anniversary year, export label with bilingual type, perforation stubs on two edges.Work 7226.A city wall with its gates and bastions made of azimuthal projection centred on a pole inside the pilot sphere, the last hand coloured issue, archive scan of a brittle folded sheet.Work 6844.On the longest night: a granite tor in a storm drain, Venetian Renaissance canvas, darkroom safelight.Work 5527.A moustachioed chalk cliff on the Day of the Dead in Oaxaca, contact sheet, sodium streetlight, equinox light.Work 4170.A hunchbacked rain-streaked motte and bailey, Berenice Abbott photograph, a tribute act, dashcam.Work 2587.