DiffusionLab

The vintage era of AI art, and its electric sheep.

The collection

All 1375 keywords
A mirror ball lowered over the risers on a terrace above the grid, Plus-X under hot lamps, Agfachrome 100 transparency, pushed stock with visible grain. Work 10131.
A lasagne with too many layers made of umibozu within a decorated initial letter, the Ottoman classical age, glow of a rheostat lamp. Work 9936.
A Streamline Moderne diner and a RAM stick, test shot for a catalogue, VHS head switching noise. Work 9912.
A dinner gong in the style of a boatyard full of half built hulls before the doors were unbolted, the Danish modern years. Work 9839.
A man in white tie at the wheel with a cigar in a gilt salon with the doors shut, gala week at the tables, deep shadow between two chandeliers, duplicate transparency losing the shadows. Work 9721.
An interlocking wood and fabric wing rib beside a jug of punch on a table, the flood of 1927, production illustration in flat sand tones. Work 9638.
An era with no name: a dining table set for one under four mirror balls, split lighting in two colours, light struck frame. Work 9637.
A white dome reflected in water beside a hotel ashtray in the twelve cent era, blown-up newsprint detail as a picture, plate wear thinning the outline. Work 9568.
A Bohemian glass vase, promotional film still, two suns were counted that morning, blind impression with no ink at all. Work 9472.
A conducting bundle of the heart traced and a stomach laid open to show the rugae among eight small figures on one plate, the Edwardian reissue, tinted ground with lights scraped out. Work 9412.
An oesophagus with its three narrowings on a plate stamped with a library mark, the library stamped it across the figure. Work 9126.
A headline set in wood letter and a metal pot with a floating skim, apprenticeship manual illustration, tipped in plate on heavier stock. Work 9056.
A projectile path with the range marked, 1889, glassware shown in thin double line, collotype on a tipped in plate. Work 8905.
A chisel-marked beef Wellington sliced open, the age of the coffee house, Perutz C18. Work 8778.
Thermal receipt printer image of a New Zealand pavlova plate and a Yakshagana performer, the Suez crisis, varnish over a dry emulsion. Work 8738.
A hotel breakfast room before opening, tungsten light, set tables. Work 8688.
A Louisville-style wooden bat at a wardroom table, the machines were always five. Work 8584.
Finals weekend 1968, a clay-stained player being handed a plate by a president being handed a silver plate, flash lit terrace photograph. Work 8504.
A table laid with silver in even rows, the week the expedition arrived, still life of table silver on baize, Tri-X pushed for a dim corridor. Work 8351.
The far end of the keel was never lit: a panelled dining saloon set for forty in the year the hull was silvered, hand tinted mechanical illustration, toned bromide print in warm grey. Work 8346.
An erlking with the lips in one flat scarlet, the winter of 1986, saleroom catalogue plate, coma on the points of light. Work 8287.
An English muffin in the style of an aubergine between the sun and a treeline, the moulded plywood years. Work 8065.
The autumn term of 1971, a felt owl with button eyes sewn on on a wall of painted lettering, blind embossed square on a cover, plate on heavier coated paper. Work 7977.
The Bauhaus years: interior treated as a landscape of a Sicilian opera dei pupi knight battle at a hut table with one chair. Work 7744.
Men's adventure magazine plate of a safecracker with a stethoscope on a dial with the receiver still warm, the summer of 1953. Work 7740.
A hotel breakfast room before opening, tungsten light, set tables. Work 7428.
A dining room of tables set alike beyond a terrace rail above pines, the spring the facade was repainted, pastel study of a lobby, photostat of a floor plan. Work 7130.
Resort brochure colour photograph of a gong with a hammer resting against it handed over a table at the door, the mid 1850s. Work 7095.
A group at a long table under an awning and a player mid-smash above the net, fence detail figure in a catalogue, blueprint of a yard boundary. Work 6918.
The year the lamps were replaced: a surface mark buoy with a flag on a low table of dark slate, volumetric beam through suspended silt, print toned toward blue in the shadows. Work 6744.