The vintage era of AI art, and its electric sheep.
The collection
All 1375 keywords
Costume record for a wardrobe archive of a figure lit flat and standing square on stitched by hand over three weeks, a summer spent indoors.Work 10257.The lamp softened her arm by lunchtime: a red plasticine postbox thumbed into shape in one long afternoon in 1969, vignetted corners on a tabletop shot, noise reduction leaving a soft edge.Work 8833.A control room of lit buttons against a flat cyan ground, comic art thickened for a coarse screen, tape marks along two edges.Work 7838.A courier with a locked attache case, the Renaissance, Sears catalogue plate, emulsion lifted at a print corner.Work 7134.She cleared the desk in one call: marker illustration for a trade weekly of an overcaffeinated woman in a navy blazer counting on her fingers, March 1986.Work 6913.A certificate of authenticity in a frame and a filing cabinet as an exhibit, institutional critique wall text, tripod at a fixed height each time.Work 6561.One inch Type C tape transfer of a sponsor approved vision mixer desk in a gallery, 1977, image orthicon halo around a lamp.Work 6478.A poster printed in one colour, serial photographic survey, the work exists in a filing cabinet, dust spots left unretouched.Work 5980.A trophy room made of steamer trunk, Botero portrait, three quarter view, passing tunnel lights.Work 5035.A striped bureau desk in a council chamber, Christian Schad portrait, light leak, sickroom light.Work 4712.The one that got away: a filing cabinet overflowing with teeth in a haveli, liquid emulsion on stone.Work 3594.A fogged-up waterfall pouring from a window inside a filing cabinet, Kay Sage canvas, eye level, seventies colour palette.Work 3036.A mousy cloisonne photocopier, Dutch marine painting, long after closing, Polaroid Type 55.Work 2874.A projection booth between showings, warm light, reels, dust.Work 1503.