The collection · DiffusionLab

A circle overlapping a square seen from the top of the stair, the VKhUTEMAS years, stencil-cut lettering as image, press number written in pencil. Work 10302.

A catwalk around a dome base and a power line marching up a ridge on a catwalk at dusk, 1922, finding chart from a survey plate. Work 10294.

A sectional model cut open on a housing estate walkway, the year before demolition, staged interior photograph, raking light across board marks. Work 10250.

Two man saw up welded mesh steps, video frame off a tube with banding, slit-scan optical printer pass, pinhole in the middle of a flat. Work 10236.

A thread frayed men's house on a wet tarmac, the Palaiologan years, Ghanaian hand painted film poster. Work 10115.

A stall built into a service alcove beside a conduit breathing steam, the long tenancy of the warm tunnels. Work 10106.

A steamer trunk with brass corners and a ballroom stair with a nickel handrail above a black lacquer bar, the winter of 1933, poster in Bifur capitals. Work 10083.

A mast guyed with four matched wires in the style of an opening big enough for a locomotive in a gatehouse the size of a hut, the years of the works. Work 10049.

Slow pan across a model village of a clay lamp post bent slightly to the left beside a well with a string bucket, one long afternoon in 1969, archive copy with a splice at the head. Work 10048.

A flight of steps vanishing into cloud older than the road below it, the years the masons worked alone, scale of a figure against cut stone, ambrotype with a deep green ground. Work 10010.

The Bauhaus years: Kütahya tile of a shell keep before a wall the colour of wet clay. Work 10008.

A chimney stack tapering to a rim on a pavilion's outside stair, registration out by two millimetres, photographed flat in even light, scalpel edge showing on a cut-out. Work 10000.

A popcorn spilling down a stair against a red dot gradient, dot gain closing up the shadows, squeegee pulled twice in one stroke, water stain up one side. Work 9906.

A Japanese koinobori in harness at the trace, the rock spelled out the town. Work 9882.

An escalator ribbon inside a glass flank along a corridor of identical doors, monolithic forms in flat light, sepia warmth in the highlights. Work 9866.

An English landscape garden across a grating from a hand pump, the Constructivist years, anonymous seaside snapshot, Fujicolor Superia X-TRA 800. Work 9851.

A trench cover slab lifted aside made of chainlink fence with a bowed top rail past a gatehouse window grille, the night the yard lamps stayed on, 6x7 negative on a night tripod frame. Work 9848.

Geometric interior rendering of a floodlit from below crew member wiping a gloss white surface past an alcove lit cyan in the age of the lit floor. Work 9801.

A cloud-piercing architect's section plate pinned to a wall along a boardwalk over hot ground, the years the sun reached only the crowns, low angle hero shot of a tower. Work 9772.

Severe frontal framing of a gateway of a Terylene ijiraq, the Streamline Moderne years, Wollensak Verito. Work 9755.

A mineral-crusted gown stitched from pads of live moss, an autumn of low pressure, portrait scale lost inside a wide view, stopped down for depth across the plain. Work 9692.

A lone traveller framed by a circular hatch and a figure at the centre of a lit white ring under a ceiling with no fixture in it, the era before the hatch was named, visual sketch at the eyepiece. Work 9680.

Diffuse overcast with no shadow at all of a lava tube mouth open in a hillside beside a terrace of pale mineral steps, no year the map admits to, milled lead came soldered at the joints. Work 9654.

The hot half of the year: a jetty of grey planks on bamboo legs under a leaning wall of jungle, still frame held too long, optical printer dupe. Work 9645.

A shaft of sun standing in a gallery inside a corridor with a bright end, dream sequence stone still, long lens stacking the towers. Work 9643.

A rope-worn mist-cut ladder well down through three floors, an age measured only in watches, storm light across a bare granite face, film stock pushed one stop. Work 9634.

One point perspective down a colonnade of a rock-cut figure alone on a vast concrete stair, the far end of the first expansion, drum scan off a large transparency. Work 9613.

The month of the flower offerings: location cinematography in ruins of a path through forest to a stone door in green haze along a colonnade. Work 9597.

A carpet runner centred down a steel deck, 1875, side light raking a wall of rivets, process colour from three plates. Work 9541.

A doorway cut into the side of a dune, the second era of the rigs, frame built on one long diagonal, 8x10 negative on a heavy tripod. Work 9536.