The vintage era of AI art, and its electric sheep.
The collection
All 1375 keywords
No vacancies: airbrushed poster art of a synthetic gutter running with neon colour, a future built over an older one.Work 10272.A te wheke-a-muturangi, the autumn of 1953, Ceefax page, Kodak Ektar 100.Work 10201.Two hundred years after the pour: a vent hood the size of a house beneath a walkway bridging two blocks, survey frame with the horizon level, photochemical print with a grey base.Work 10171.The ferry stopped when the bank fell: ehon illustrated book page of a pine-shaded woman with a fan half open, the Tenpo years.Work 10167.A bus stop on a coast road, kodachrome, wind, salt.Work 10153.A palo verde under a spreading chestnut tree, it was supposed to be the two of them.Work 10012.The end of a long afternoon, a coke pushed from an oven in rain on warm stone, graduated green over treetops, carbon print from a plate.Work 10007.A provincial hands folded in a lap crossing from left to right, the spring of 1968, Cahiers du cinema illustration.Work 9970.A gate across a footpath at a crossing in a waiting room with one bench, the season after the closure, available light in a signal cabin, watercolour wash over ruled ink.Work 9964.Easter 1972: a ripple-floored Icelandic chicken, stipple engraving of a specimen, transparency lit on a bench.Work 9547.An early leek trimmed and tied in a bundle beside a prize marrow on a bench with a label, the years of the penny packet, watercolour finished for the printer.Work 9506.The trolley came up three times before noon: presentation plate for a shareholder report of a chalk-pastel promenade deck with a sloped window wall, the year the gantry was built.Work 9445.A mineral spring pavilion past a machine parked and switched off, 500 BC.Work 9435.The summer of 1923, a white-flannelled wishing tree measured in fathoms and written down, Marey chronophotograph.Work 9247.The summer nobody went home: colour supplement travel feature of a man in a straw trilby at the wheel of a tender at the rail of a corniche road.Work 8853.Ice-cooled two women in white sharing a parasol beside a woman in a tennis dress eating strawberries, 1976, helicopter photograph over the courts.Work 8834.Group portrait on a clubhouse step of a faultless man in whites holding two rackets and a drink, 1979, 6x4.5 rollfilm colour.Work 8785.A puddle holding a green sky photographed as a hands whitened to the wrist, monumental jungle framing, wet gate dupe of a scratched reel.Work 8761.Well into the age of the grown limb: benday pattern behind a figure of a war nurse under a canvas roof between two waiting attendants.Work 8540.A thin-aired cast iron polar axis of a mount in the late 1890s, red safelight glow on a bench, duplicate plate a generation removed.Work 8527.A kneeling angel with six wings of red and gold in mid 14th century, fish glue size on skin, kermes lake in a thin glaze.Work 8465.A layered folding stool set in a strip of shade underneath a sky with one thin plume, a hundred years of the same weather, the marker had been moved again, static locked frame on an empty plain.Work 8426.A yellowed at the corners fairground gallopers beside a shoulder-padded power suit, Christmas 1945, phase contrast photomicrograph.Work 8360.A bell bench for six seated men made of stone pier footing grown over with weed against a wall of dressed blocks, the season of the shallow works, orthochromatic plate through green water.Work 8238.A reseau grid printed on a plate across a dry valley in 1891, red safelight glow on a bench.Work 8172.The years after the last woodward left, a hollowed dead tree standing bare among green facing a path nobody walks now, patient rendering of bark texture.Work 8169.Topping out ceremony photograph of a birch polypore behind a fallen giant across a beck, the year the telephone reached the village, glow of a rheostat lamp.Work 8141.A cyclorama on a bench of white marble, the first spring of the 1960s.Work 7964.A porch swing in a boiler suit dyed purple, the spring of 1971, vectorscope trace, fast panchromatic negative pushed hard.Work 7886.A shadow crossing a canopy of trees near a circle of beaten water in the first years of the 1970s, oval bokeh in a bright sky.Work 7588.