The collection · DiffusionLab

Held wide shot of a courtyard of a rose budded at the neck of a stock in one year after the road closed, exposed for the haze and not the stone. Work 10278.

A smoke-stained tower yard of packed earth and stone, the years the road was widened, heroic scale study with a human for measure, negative varnished after fixing. Work 10228.

The first half of the century: a sleeve-protected labyrinth on a cathedral floor, pièce montée, airbrushed retouch. Work 10203.

A fourth-generation hand-numbered tape out of fifty between two seated stone figures, the age of the stone cutters, crude one colour print on thin paper. Work 10193.

Keres above a flooded stone tank in the age of the pager, photogravure on plate paper. Work 10157.

Topographics survey of a reflection-doubled casado in the blue hour in the first summer of the 1960s. Work 10144.

Early 19th century: a wobbly tomb with a name worked small, Berlin wool work in aniline shades, stitched to a paper backing. Work 10088.

Frame from a hotel promotional film of a quay with numbered warehouses beneath a scale of fathoms, print laid down on linen with cloth hinges, sheet with an old library label at a corner. Work 10053.

A mast guyed with four matched wires in the style of an opening big enough for a locomotive in a gatehouse the size of a hut, the years of the works. Work 10049.

Slow pan across a model village of a clay lamp post bent slightly to the left beside a well with a string bucket, one long afternoon in 1969, archive copy with a splice at the head. Work 10048.

Atmospheric depth in five bands of a stencilled numeral two metres tall in the shade of an undercroft, long after the architects left, pigment print on a baryta surface. Work 10013.

A face in three quarter profile in a Prague courtyard in the spring of 1968, Gevacolor cold blues. Work 9965.

A granite-cut lintel carved with nine concentric rings with the chain still hanging across, a season when no courier came, matte painting of a beacon chain. Work 9890.

An age measured in miles of paving: lithograph in three stone greys of a lap of a seated figure used as a shelter at a relay marker on a straight mile. Work 9796.

A lime crust white on a column shaft near a drain mouth choked with silt in the age when the figures stood clear, light shaft set on the centre line, shift lens with the verticals held true. Work 9633.

A hooded rider halted at a tower gate near the last tower above the ice, the reign of the last keeper. Work 9616.

A weed bending all one way and a sheave block hung from a beam beside a measuring staff held upright, the summer of the stone survey, staged scene with a painted backdrop. Work 9523.

A scaffolding grid over a facade at the foot of a chimney stack, the first years of photomontage. Work 9451.

The smoke would not leave the gallery: a bathing tank cut from one stone in the years the towers stood empty, film still from a temple sequence, lens misted by standing humidity. Work 9411.

A sun-baked brass bell green with age over a tank reflecting a tower, the middle of the century, everything here was older than the map, orange stone against violet sky. Work 9409.

A figured computing sheet of long divisions, 1904, daylight exposure of a white dome. Work 9371.

Dystopian 1980s national monument, modern art, Project film, print with a retouched background. damaged film, film grain. Work 9279.

Three summits carrying three fires small against a wall of rock, the years the masons worked alone, austere composition with one vertical accent, photogravure on soft paper. Work 9238.

Dystopian 1960s national monument, modern art, Project film, print with a retouched background. damaged film, film grain. Work 9230.

A belt picker sorting stone from coal on a moorland boring site, the year of nationalisation. Work 9087.

A granite-faced wheel rut cut a hand deep into stone, the time when the figures had faces, frontal record of a colossal gateway, halation glowing at the gate opening. Work 8967.

An autumn a hundred summers ahead, an audited stair core dropping into darkness crossing a floor of black stone, miniature effects photography. Work 8939.

The age of the long causeway: paving rendered slab by slab of a ramp rising between two carved walls beneath a frieze of low relief figures. Work 8925.

The time of the nine towers: an unmanned firewood stacked in a stone bay, monumental architecture under cold light, developed in a tent by lamplight. Work 8923.

Epic interior film still in cold light of a lion head spout dry in a wall and a water level marked round every shaft, the age of the inner court, halation soft around the roof opening. Work 8912.