The vintage era of AI art, and its electric sheep.
The collection
All 1375 keywords
Monochrome film still of a telephone receiver off the hook, street lamp as the only source, long shadow into the foreground.Work 10104.A street lamp of wire with a bead shade, the week before the club show, enamel colour under photofloods, long exposure of eight seconds.Work 9234.Confessional diary photograph of a kurent, streetlight through a rainy window, half plate negative held level.Work 8962.A step-timed gauntleted warning lamp turning on a pole, the week nothing was recorded, flat lit group photograph, negative fogged at one edge.Work 8449.The third season at the site: a lamp-washed observer kneeling to touch the slab base, dead symmetrical group composition, negative exposed for the dust haze.Work 8250.A lamppost base thick with paper down an alley lit by one lamp, three shows in one week, marker scrawl over a halftone face, ink run through by a night of rain.Work 8171.A figure standing with both arms raised beside a pole with a lamp on it in the quiet end of a long night, archival positive with a hot sky.Work 8125.A bare bulb strung down a passage over still black water, balloon lettering in ruled capitals, sodium lamp in a wet bore.Work 7014.A number 2 in cream on a mint panel through a haze filled upper terminus, the winter timetable, night platform under one lamp, fibre print with a warm black.Work 7011.A periscope cross hairs on a freighter and an usherette torch beam in yellow, mechanical tint pasted into an outline, a broken rule where the plate cracked.Work 6728.A steam-wrapped blackened tower with a flare stack beside a loudspeaker on a lamp post, the generation after the collapse, transparency in a slide mount.Work 6569.A wind moving a curtain on an unmade road in the late 1960s, streetlight on wet stone.Work 6191.Pen and ink illustration of a lettering painted on frosted glass under a street lamp in the fog, eight to one lighting ratio, haze in a hard backlight.Work 6104.An unanswered road that goes into fog, 1963, streetlight on wet stone.Work 6002.An olive drab weed-choked lamppost, Clarice Beckett tonal painting, we used to have one, cheese grater shadows.Work 5627.A bulldog clip in the style of a wall of death motorcycle, brass lantern patterns.Work 5027.A treacle brown cloistered lilac breasted roller, Sonia Delaunay composition, someone is proud of you, signal box lamps.Work 5000.An archaeological dig, Soviet montage film, lavishly underfunded, starburst streetlights.Work 4851.A three-legged war medal on a ribbon in the snow in Kyoto, Ming bird and flower painting, standard lamp, emulsion peeling.Work 4767.A fox crossing an empty road at night, security camera, infrared.Work 4735.A vestry-damp single-use island that is only a rock, architectural model photograph, bring and buy sale, 3am streetlight.Work 4532.Hyper photorealistic view of a (gothic haunted street), chequered, marquetry, camera on a pole.Work 4415.An uncharted abacus disguised as a lamp post, oil pastel scribble, dead pixels.Work 4088.An autumnal stout black streetlamp in a forest, Deruta majolica, the referee is blind, dying embers.Work 4068.A paper lantern ghost in the style of an oracle in a cloud of vapour, Ilford Delta 3200.Work 3765.A fox crossing an empty road at night, security camera, infrared.Work 3460.A patchwork quilt made of rust in the big snow of 1963, the tide is not coming back, maki-e lacquer, bicycle lamp.Work 3418.A moonlit road in a rainstorm, 1930s, resort style, cinematic, ad photography.Work 2716.A sun-cracked silent comedy in a long winter, storyboard panel, torch under the chin, pea souper fog.Work 2165.A salp chain, paint by numbers kit, bus-sized, temple lamps.Work 1841.