The vintage era of AI art, and its electric sheep.
The collection
All 1375 keywords
A setting-out lines scribed on a paving slab at the third mile of a paved road, shift lens keeping the pylon vertical, grain visible along the parapet edge.Work 10041.A slab burner cone against the sky among peeled poles stacked to dry, 1944.Work 9602.Night photograph by flash powder of a yard floodlight mast at night, daylight colour film in flat light, flashbulb at close range.Work 9319.The Mamluk years, an utility pole with a transformer during the all-skate, gold toned print in a warm grey, standard lens with no distortion at all.Work 8702.Long lens study through fog of a figure holding a struck bar still ringing, wide crop with a high flat horizon, colour balanced to grey daylight.Work 8672.A step-timed gauntleted warning lamp turning on a pole, the week nothing was recorded, flat lit group photograph, negative fogged at one edge.Work 8449.Shellacked field lines around a bar magnet in late in the gas lit century, printed on paper that has gone slightly grey, ink on squared paper from a notebook.Work 8436.Low horizon under an enormous pylon of a straight-running yesterday's show still pasted up past a pole furred with staple stubs in an age of hands and rollers.Work 7586.The first ten minutes of daylight, a raffle ticket book printed off the crop against a sky in flat bands, rescreened from an already printed page, ghost image below the sun.Work 7454.A silver-heavy arrow through a brand word beside a pole guyed with three lengths of cord, the spring of 1991, three-ink portrait with no shading.Work 6774.A season after the convoys stopped: polarised landscape photograph of a radio mast guyed with cable in a cloud of its own dust.Work 6482.A fox crossing an empty road at night, security camera, infrared.Work 4735.A cinematic photo of a skyscraper in a desert, 16k, beautiful face.Work 962.