The vintage era of AI art, and its electric sheep.
The collection
All 1375 keywords
Quirky 1960s constructivist, retro tech, Project film, print with a retouched background. damaged film, film grain.Work 7272.A cable-scarred carousel slide projector on a sky bridge at the fortieth floor, the closing years of the 1990s, mirrored bilateral composition.Work 7271.Hotel monogram ornament study of a reception desk flanked by two brass lamps and a valley of pines below a hotel front, the season after the staff came back, reflection doubled in bevelled glass.Work 7270.A threshold worn hollow by feet near the last tower above the ice in an age before the roads were named, epic landscape film still on large format, fresco secco on dry plaster.Work 7269.The era of balsa and enamel: a tissue glazed canal barge of balsa with a tin funnel, stop motion of a tin bus moving, colour cast towards amber.Work 7268.Engineering plate with a scale figure of an only wet ground for fifty miles, oil on canvas with a warm ground, shimmer over a far thorn fence.Work 7267.A crown glass with a bullion centre counted from the shed as road two, 1867, inventory plate of numbered fittings, cibachrome with a dense black.Work 7266.A wall of jungle rising straight from the water photographed as a canopy leaning over the channel, wide frame with no middle ground, release print with dense blacks.Work 7265.Quirky 1960s claymation, creatures, Project film, print with a retouched background.Work 7264.A broken bauble in a hollow holding green smoke in the year the mill closed, canopy work of white glass and stain, poster paint on black stock.Work 7263.Victorian reader plate reprinted flat of a Victorian séance and a croupier spinning the ivory ball backhand, the Mary Quant years, selenium toned monochrome enlargement.Work 7262.Stencil-numbered dumb waiter shaft between two decks near a rack of numbered life belts, the first season of the mast, a passenger counted the frames aloud, Victorian engineering plate in colour.Work 7261.Quirky 1960s claymation scenes, cinematic, monsters and heros, reproduction with the paper grain in it, scanned from a well-read copy.Work 7260.Quirky 1970s country club robot, modern art, Project film, print with a retouched background. damaged film, film grain.Work 7259.A transformer core of laminated iron on a wall chart hung beside a blackboard, 1841, orthographic view with no depth cues, gravure print in cool grey black.Work 7258.Quirky 1960s claymation, creatures, Project film, print with a retouched background. damaged film, film grain.Work 7257.The summer of 1939: hand-lettered balloon over halftone of a green zebra tomato against a treeline at first light.Work 7256.A palm-fringed signal box with a lever frame at a desert halt with one palm, the 1931 winter season, diagrammatic route poster.Work 7255.Scale comparison figure with a man of a converter on its side being charged above a sump running full, the year the telephone exchange opened, film stock discontinued the year after.Work 7254.A hornbill on a bare branch, hallucinatory jungle treatment, the rain came down in one colour, silver retained print.Work 7253.Quirky 1960s constructivist country club, modern art, Project film, print with a retouched background. damaged film, film grain.Work 7252.Mezzotint over an etched foundation of a dunlin flock turning as one in 1838, half-tone on coated paper.Work 7251.The height of the funk label: a sleeper-straight gatefold interior with all nine players, airbrush illustration with hard edges, warm gel on the backdrop.Work 7250.A geared orrery under a bevelled glass dome outside a pastel dome drum, copperplate plate on laid paper, chromolitho in muted pastels.Work 7249.Crewel wool on a linen twill ground of a vine border with curling tendrils round the four sides of a panel, mounted on a linen covered board, a patch woven in over a hole.Work 7248.Quirky 1960s constructivist country club, retro tech, Project film, print with a retouched background. damaged film, film grain.Work 7247.The World Cup summer of 1986, a fungal hive mind beside a crossing keeper's cottage, blueprint with white line work, print with salt spots on the negative.Work 7246.This is the only sheet left: crayon manner in imitation of chalk of a half-opened flowering stem of a mountain avens, late Georgian.Work 7245.A crown-topped minaret above flat roofs beside an export stamp in two scripts, the middle 1950s, three-colour stone lithograph label.Work 7244.Mechanical figure of a rack and cog of a mountain wall rising behind a station in the quiet decade, cibachrome with hard blacks.Work 7243.