The vintage era of AI art, and its electric sheep.
The collection
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A slicked gangster's profile in flat scarlet inside a bus station of flat panels, the second sitting, the pink was mixed until it hurt to look at, photo-stencil portrait print.Work 7242.A greenshank at the edge of a pool between two dead pine trunks in 1785, counterproof taken from a damp print.Work 7241.Quirky 1960s constructivist robot, modern art, Project film, print with a retouched background. damaged film, film grain.Work 7240.A gold-wheeled mixdown done in one take with the paintwork still wet, the week the deck ate a tape, hard flash on wet paintwork.Work 7239.A tumbling hangar deck with a ship inside, the age of hard shadow, scan with the negative edge included.Work 7238.A moon-washed slow motion handwheel of brass in a radio room with a brass key, 1874, observatory site survey plate.Work 7237.A man in mirrored shades lighting a long cigarette photographed as a cider label with the yellow off the edge, silkscreen poster in four flat inks, broken type where the plate scratched.Work 7236.Soft canvas against polished copper of a circle of lamp light on the sea floor, 6x7 colour transparency, daylight only at four fathoms.Work 7235.A pass road switchbacking eleven times outside an iron door studded in rows, nobody has climbed to the last tower.Work 7234.A pod-shaped figure in a tunic of lacquered bark plates in the year of the borrowed studio, warm print with a cool ground, biro price written over the printed one.Work 7233.Portrait made from a coarse halftone of clay elephant whose trunk keeps drooping beside a cinema foyer still, the season of the county show, coarse dots enlarged into circles.Work 7232.A cliff with a structure set into it and an edge holding a line for two miles, epic science fiction matte plate, composited miniature and live plate.Work 7231.A green band low in a dawn sky beyond a black palm line in the middle of the 1970s, no fill light at all.Work 7230.A wake-trailing washing spread on a rock to dry, a spring nobody remembers, single frame with the test print kept.Work 7229.A heap of stones with a pole through it, the late Middle Ages, deadpan portrait of an impossible surface, heavy contrast with a black ceiling.Work 7228.Cyanotype of a pressed herb of a pit wheel against a flat sky and a bookshelf that goes down forever, the end of the mapping era, colour work with no gradient anywhere.Work 7227.A fort wall with a corner bastion above a factory name in small type, a fiftieth anniversary year, export label with bilingual type, perforation stubs on two edges.Work 7226.A tea stall bench under a pine, wind shown as flying leaves, the carver's name is not on it, blocks recut for a fifth printing.Work 7225.A glass jar of dried cantharides under the shadow of a hanging bunch, 1633, oil on panel in the Dutch manner, sepia faded to a warm grey.Work 7224.A waited on woman lying flat on a hot stone jetty beside a clay pot tipping into a channel, a spring that arrived in autumn, pen and ink line work on tracing linen.Work 7223.A lead-mended Jesse window rising through lancets in a lancet above an altar, around 1380, the blue is the only original glass, needle scratched damask in a matt.Work 7222.A goad held level like a surveyor rod near a cairn with a rag on it, frame built on one long diagonal crest, collodion negative with a swirled edge.Work 7221.A flowering coarse-screened cut taproot of a dandelion, 1824, repeated figure in a rising row, copperplate impression on damp paper.Work 7220.A running light on a machine at midday, contact print from a large negative, the label outlived the object, verticals held true on ground glass.Work 7219.Museum case documentation photograph of a surface support ship seen from below, photostat of a survey sheet, developer exhausted at sea.Work 7218.Colour supplement page art of a chemist's window bill with slipped labels with the grey built from three plates, the quarter the press was overdue a service.Work 7217.A shearer cutting a web of coal photographed as a back lane of a colliery row, stringer's frame for a local paper, 5x4 sheet film in a press camera.Work 7216.Quirky 1970s country club robot, modern art, Project film, print with a retouched background. damaged film, film grain.Work 7215.A matched workshop bench under a haze filled window beside a shadow of a train thrown long, the years of three engines, gold bronze ink over a flat field.Work 7214.Cold laboratory interior cinematography of a Super 8 camera at a room service trolley, the Little Ice Age, airbrush acrylic on illustration board.Work 7213.