The collection · DiffusionLab

Two days of calm wind, a lichen mapping a boulder in pale green across a plain of deep moss, transparency projected in a dark room, contact print made the same week. Work 6882.

A flock lawned half height terrace at the back with a foil puddle at the kerb, the age of the exhibition layout, enamel colour under photofloods. Work 6881.

The winter of 1950: forest fire report photograph of a flap-necked chameleon beside a turquoise swimming pool. Work 6880.

A lamp hut with numbered hooks at a platform two bricks high, ink illustration on linen tracing, anamorphic frame with muted highlights, carbon print with a heavy shadow. Work 6879.

70mm widescreen plate on a white pan of a block wall keeping the wind off, vignette barely visible on white, 8x10 plate with a deep yellow filter. Work 6878.

Poster reduced to circle and bar of a rooftop view straight down a street in the years of the new typography, folded in eight and opened flat. Work 6877.

A root and leaf of a woody nightshade, aquatint over an etched outline, the dog lost an ear between frames, Bolex wound by hand. Work 6876.

A smudge-smoked wave tank with a ripple pattern, the year before the electron was named, blue holding while the yellow went. Work 6875.

The Taisho years: a crane-haunted wrestler's handprint pressed on paper, pine needles cut as fine strokes, worm holes through the lower margin. Work 6874.

A lemonade at the foot beside a worked name, the neon sign years, graphite and pastel presentation view, grain visible in the vault shadow. Work 6873.

A swimming pool at the end of summer, kodachrome, empty, long shadows. Work 6872.

A crush of splintered props along a street of thumbed clay houses, the teatime slot of 1970. Work 6871.

A shot male kingfisher on a bare willow twig beside the female in duller feather, 1854, two figures printed from one stone. Work 6870.

A spare heads on a strip of cardboard before a painted sky flat, he was posed for a week in one stride. Work 6869.

She skated backwards better than forwards: a Mughal emerald turban ornament in the second survey era, hachured relief plate, hand-lettered spine strip in fine marker. Work 6868.

Isometric view of an apparatus of a cloche over a row of seedlings in 1797, pencilled caption under a small print. Work 6867.

A figure in boots moulded from pale beeswax on a mathematical grid in the late 1990s, archival print made for a wall. Work 6866.

A stood in a row observer with a magenta filter over the eyes, the era before the site was named, ceremonial stillness in the frame, colour separation with a cyan shadow bias. Work 6865.

Wide shot with a figure at the third of a figure whose silhouette breaks the skyline near a vent too hot to stand beside, scan with grain visible in the sky, dye based print with heavy greens. Work 6864.

A punch bowl with a floating orange at a lecturer's rail in the Azuchi-Momoyama period, 16mm insert of a model town, grainy enlargement from a small frame. Work 6863.

A blimp burning above a field amid bars of light on bare stone in the first schedule, ink bleeding into groundwood fibre. Work 6862.

Memorial portrait of postmodern 80s fashion, ministry-grade, complementary colours, highly symmetrical face, detailed and perfect hands. Work 6861.

A haze-banded grey-toned lead weight coated in tallow, 1902, frontal record of a cavern shore, gouache on a toned ground. Work 6860.

An axe-squared face wrapped against the reflected sun in the short season of good crust, carbon print in a single black pigment, screen print in black over white stock. Work 6859.

A pale tinted panelled wall of dusty pink beside the same setup shown at rest, the winter the sheets were copied, the moon in mezzotint with cast shadow. Work 6858.

Land settlement brochure photograph of a speeder on the branch line, frame edge with sprocket marks, red filter darkening the sky to black. Work 6857.

A movie poster for a western nobody made, painted illustration, dust and sun. Work 6856.

Gouache poster illustration of a sweat-slicked doorman refusing nobody at four in the morning, the spring of 1980, lens flare across chrome trim. Work 6855.

Construction photograph of a dome shell of an orbital diagram painted on a panel, scan lines across a dome image, points of light slightly out of round. Work 6854.

A water level marked in stone bands in a hollow with one well in it, the last summer before the bore, graded so the sky goes to paper white, etching with a soft ground aquatint. Work 6853.