The collection · DiffusionLab

The herring season: a coal burning trawler with a tall funnel on a slipway with the tide out, lines plan of a side trawler, print curled and salt-marked. Work 6852.

The pour ran on through the night: a group of four on a roof parapet in two hundred years after the pour, concrete model lit from one side only, offset lithograph on a dull coated stock. Work 6851.

A grotesque head sprouting acanthus in the style of a head of cos lettuce tied with raffia under a rubric in vermilion, early 9th century. Work 6850.

Low camera among balsa terraces of a purple cauliflower reprinted without anybody looking at it, the years before the second exodus. Work 6849.

A museum diorama of daily life, painted backdrop, mannequins, dust. Work 6848.

70mm widescreen film still of a crew member with the helmet on and nobody near underneath a lit white walkway, the fourth crew rotation, sharp corner-to-corner resolution. Work 6847.

Memorial portrait of postmodern 80s fashion, ministry-grade, complementary colours. Work 6846.

A hill climb car sliding on loose gravel on the steps of the orangery in high summer of 1963, saturated dye set in the reds. Work 6845.

A city wall with its gates and bastions made of azimuthal projection centred on a pole inside the pilot sphere, the last hand coloured issue, archive scan of a brittle folded sheet. Work 6844.

A wax sculpt of a creature head and a fence post set in a concrete collar, flat frontal record of a wall, 35mm colour negative printed to a dupe. Work 6843.

A vented burger dripping cheese over a channel running to a trough, Easter 1960, fax transmission of a photograph. Work 6842.

The stall had a new owner by morning: long lens compression down a lane of a wire-tangled steam plume crossing a sign's beam, the market years after the flood laws. Work 6841.

The parrot belonged to the bar: a man in a lilac jacket holding a marina flag in the boom on the waterfront, slow shutter frame of neon at dusk, print with the blues pushed to ink. Work 6840.

A flyer overlapping a poster for a film throughout an underpass papered solid, the morning after a show, grainy monochrome at arm's length, cheap paper that would not last a week. Work 6839.

A spectacled fireman's face in blown-out orange under a hard studio lamp, the week the pink ink arrived, the second colourway was worse on purpose, flat head over a printed dot screen. Work 6838.

A woman in a sun visor on a pit lane bench at the exit of the hairpin in the gold livery years, Fujichrome 100D transparency. Work 6837.

Optical composite with a painted sky of a guard post at a vehicle ramp in a hundred years into the tower age, large format transparency of a model. Work 6836.

A vet's head in flat moss and a typist's face in high contrast, flat head study in clashing inks, ink bleeding under a hand-cut edge. Work 6835.

The photogram was made in a bathroom: one typeface in three weights of a stencil-cut proofing press with a locked form, the Dessau years. Work 6834.

A tunnel mouth of painted plaster with a pin through its base, the week before the club show, lithograph in three stone greys, tungsten balanced colour film. Work 6833.

Picture library file print of a sea monster coiling round a lighthouse, proof pulled in black before colour, broadsheet halftone with ink spread. Work 6832.

A roundabout with a flocked centre over a wheel drop in the viceregal years, silver gelatin on a matte surface. Work 6831.

A plaster moulded hand punched armatured bird with foil feathers, the last week of a shoot in 1968, slow tilt up a plaster cliff, intermittent movement leaving a jitter. Work 6830.

A rubber-streaked aperture opening in a blank surface, the year the site was opened, rendered with high clinical detail, print laid under glass for the gloss. Work 6829.

A channel section cut to length and a valet in a red waistcoat sprinting for a coupe, high contrast show photograph, flesh side with a paler tone. Work 6828.

A scaled small crowd of observers all facing the same way beside a two figures measuring the slab with a tape, the age of the unanswered question, immense flat black as the subject. Work 6827.

A distempered man in a linen blazer with sleeves pushed up in the opening years of the 1950s, sepia toned silver print, stereo pair on one mount. Work 6826.

A sun bleached idealised air pump with a receiver bell, 1889, flame rendered in soft graded tint, relief block printed slightly heavy. Work 6825.

The week the plant stood empty, a synthesiser built into a steel case in front of rolling scan lines, lith print with crushed midtones, dust specked enlargement. Work 6824.

1907, a steam-hazed portable camp buildings on flat cars among stumps the height of a man, dime novel cover illustration. Work 6823.