The collection · DiffusionLab

A rabbit ear antenna on a set beside a radar dish in the atomic age, coarse screen newsprint halftone. Work 6612.

The first winter after the war, a slick-haired binoculars at a dark window lit only by a hotel sign, large format photograph. Work 6611.

A queue at a whelk stall photographed as a corporation beach sign, Free Cinema style documentary frame, cement splice jumping the gate. Work 6610.

A repeated courtyard with a single tree beside a long dining table in a cold room, 1971, widescreen anamorphic frame. Work 6609.

Sponsor billboard at the top of a show of a girl reaching for the cereal box under a parabolic antenna, the early 1940s, two inch quadruplex tape artefacts. Work 6608.

An eyebrow shade over a Collins Avenue window, 1925, Art Deco poster in flat colour, soft focus portrait lens. Work 6607.

A caged balcony stacked with crates and a light well with dripping pipes on a wet street at street level, the second century of the smog, studio model photograph. Work 6606.

Visas arranged by the agency: timetable cover illustration of a straw hatted lacquered tray of tea things, 1960. Work 6605.

The late 1920s, a race meeting enclosure at Cowes, mounted on grey board, platinum print warmth. Work 6604.

The space race: a coffered gasholder frame against the sky, industrial design presentation board, green phosphor light. Work 6603.

The camera ran out: an ice cream van on the promenade in 1985, Soviet sanatorium poster, back-lit by the sea. Work 6602.

Darkroom print with heavy burn-in of a broke bare bulb on a stairwell landing, 1945, silhouette against a lit wall. Work 6601.

A betting shop in the afternoon, screens, carpet, low light. Work 6600.

A temple gate at the top of steps, diazo print, the competition was won and shelved, sun flare across the lens. Work 6599.

An anatomical plate of an animal that does not exist, engraving, hand tinted. Work 6598.

1959: a site specific measuring tape across a floor, postal envelope with stamps, rain on a windowpane. Work 6597.

A souvenir stand at a loch at a boat ramp, paperback book cover plate, Instamatic 126 negative. Work 6596.

Engraved glass goblet of a badly framed single line token instrument at a marina slip in the autumn of 1964. Work 6595.

A window washed with rain standing in a lit doorway, the years right after the war, studio publicity still, street lamp as the only source. Work 6594.

Exploded diagram in line of a moon base with inflatable domes, press flash with a hard shadow, 35mm with a slight grain. Work 6593.

A reflected ceiling plan in a tropical courtyard, it was listed the week before demolition. Work 6592.

A motorcycle parked by the pool gate at the shallow end, Kodacolor-X, Leica M3 with a thirty five, orange date imprint in the corner. Work 6591.

A spinning weather-beaten chip van with the hatch open, 1975, carnival ride catalogue page, hand-held at a quarter second. Work 6590.

An upswept model city of the World of Tomorrow in a crater of grey dust, the year Sputnik went up, the sign was sold to a collector, advertising illustration from a magazine. Work 6589.

A distant densitometer on a bench, the late 1980s, grainy newspaper enlargement, hazy midday light. Work 6588.

Hotel brochure photograph of an inherited gun room with racked guns, 1931, candlelight on a long table. Work 6587.

A backlit chrome-trimmed animated billboard on a tower wall, the late twenty-first century, perspective rendering in gouache, low-key lighting at a high ratio. Work 6586.

A funnel raked back against the sky on a rooftop terrace, demolished the following spring. Work 6585.

A movie poster for a heist that goes wrong, 1970s, grain, split composition. Work 6584.

A double exposed California poppy, the Expo 67 summer, an incident meter reading. Work 6583.