The vintage era of AI art, and its electric sheep.
The collection
All 1375 keywords
Perspective corrected photograph of a cooling tower's hyperboloid throat and a construction hoarding with a rendering, 1928, 35mm black and white negative.Work 6582.A dentist's waiting room, fluorescent light, wide angle, magazines.Work 6581.A tinplate lunch box with a rocket beside a glowing reactor port, the late 1930s, neon sign photography, sodium light over a parking lot.Work 6580.Formal group photograph of a uninvited wicker chair on a veranda beside a polo ground in 1934.Work 6579.New German Cinema frame of a figure walking into the sea waiting for a telephone call, the mid 1960s.Work 6578.1986, a lower third super with a phone number at the top of the hour, sixteen millimetre kinescope grain, interlace combing on fast movement.Work 6577.A rotunda at Nottingham Goose Fair, the year the lido closed.Work 6576.An uncorroborated index slip with a sighting number beside an overhead projector transparency, the summer of 1967, cropped and blown up frame.Work 6575.A streamlined bronze bat over a granite entrance in an elevator lobby, the boom years, press photograph from the period.Work 6574.1951, an unlisted parking deck with a slotted parapet with shuttering lines across the face, travel sketch in a notebook.Work 6573.The factory made kettles afterwards: concept illustration for a pavilion of a boomerang shaped raygun gothic street corner at night, 1953.Work 6572.A fluted plaster ceiling sky with electric stars at the edge of the floor, 1933, the doorman said no, travel agency window display.Work 6571.A stretch of Riccione seafront at noon at Mamaia, the holiday season, comic seaside postcard, white border with rounded corners.Work 6570.A steam-wrapped blackened tower with a flare stack beside a loudspeaker on a lamp post, the generation after the collapse, transparency in a slide mount.Work 6569.A brass railed skyscraper crown lit from below, the year the liner was launched, lacquer on a gessoed panel.Work 6568.A neon sign spelling a word with no vowels, long exposure, fog.Work 6567.A woman in a wrap dress nobody recognised, the turn of the 1980s, club flyer, Ektachrome 400.Work 6566.The year before demolition, a board marked concrete wall along an access deck, dust and scratches from the archive, rise on the front standard.Work 6565.1964: European art cinema still of a silhouette against a white wall in a Milanese apartment.Work 6564.Kinetoscope strip of an office worker at a photocopier on the Molo at Sopot, the Constructivist years, duplicate transparency.Work 6563.A ship model in a lobby vitrine, architectural elevation in ink and wash, the blueprints were lost in the move, flat even north light.Work 6562.A certificate of authenticity in a frame and a filing cabinet as an exhibit, institutional critique wall text, tripod at a fixed height each time.Work 6561.A war bond poster for a war nobody fought, lithograph, limited palette, 1943.Work 6560.Estate sale photograph of a slide curving into the shallow end on a stretch of Kool Deck, the off season, heavy over-exposure.Work 6559.Watercolour architectural rendering of a second-hand chlorine floater shaped like a duck beside a kidney-shaped pool in the late 1960s.Work 6558.Memorial portrait of postmodern 80s fashion, ministry-grade, complementary colours, highly symmetrical face, detailed and perfect hands.Work 6557.A scaffolded megastructure core with capsules removed shaded by deep overhangs, the post war years, Ezra Stoller style photograph.Work 6556.A model of an atom on a plinth photographed as a robot's chest with a printed meter, toy box lid illustration, ink flaking at the folded edges.Work 6555.A black tie brace of pheasants on a rail, the last season before the war, rotogravure supplement plate, bled off the page.Work 6554.The jazz age, a stair balustrade of chromed tubing on a rendering board, photogravure plate, sepia toned print.Work 6553.