The collection · DiffusionLab

A leafless flowering stem of a cotton thistle with the stem cut at a slant, mid-century, flat wash under a fine outline. Work 9913.

A Streamline Moderne diner and a RAM stick, test shot for a catalogue, VHS head switching noise. Work 9912.

A cladding sheet dented at head height, pushed monochrome documentation frame, the hoist was rated well under it, two colour litho slightly off register. Work 9911.

An unadorned service tower rising above the roofs in the years of the sealed windows, archival inkjet on a smooth rag, contact print from a whole plate. Work 9910.

A crazy paved hayrick giant over a printed pattern of even dots, the age of the penny farthing, flea market stall photograph. Work 9909.

A gone green Ndebele painted house beside a peacock chair, the Rhodesian UDI years, process plate for a background. Work 9908.

An iron balance with agate bearings and a copper still with a worm tub on a bench dusted with powder, 1633, plate reused with the letters changed. Work 9907.

A popcorn spilling down a stair against a red dot gradient, dot gain closing up the shadows, squeegee pulled twice in one stroke, water stain up one side. Work 9906.

A photogram of a compass and a key photographed as a glass curtain wall at a corner, English channel style border work, paper left entirely bare. Work 9905.

A spray-flecked orange grove with a white farmhouse, the first postwar summer, poster proof with registration marks, poster paint up to a ruled edge. Work 9904.

Dystopian 1940s constructivist tower, modern art, Project film, print with a retouched background. damaged film, film grain. Work 9903.

A level-poured bore casing standing above bedrock with a rope going down out of sight, the month the herds doubled, symmetrical composition around a rim. Work 9902.

The year the floor was rebuilt: glitter lettering on black stock of a man in cherry satin flares down on one knee under a bank of pin spots. Work 9901.

A bright video-bloomed crew member in a headset grinning, the autumn season of 1978, costume illustration in marker, heavy contrast under hard lamps. Work 9900.

Spanish match label art of a horse's head in a laurel wreath in the post-war export years, two inks overlapping into a dark line. Work 9899.

The lift served one button only: an ad blimp trailing light over stacked balconies in the years the companies held the sky, environmental portrait at a window. Work 9898.

A Rai stone in bell bottoms with a hem that drags, the Baroque years, UFO sighting photograph, Lomography Color Negative 400. Work 9897.

Monumental scale without any building of an amber-toned last light on the highest crown at the foot of an enormous bole in a century without a road. Work 9896.

A numbered block on a painted wall beyond the last finished block in the century of the cut settlements, charcoal study with a blocked mass, fibre print developed for a long scale. Work 9895.

A screaming two attendants flanking a geared model reduced to cyan and black only, the spring the clock was regulated, nib outline filled with even dots. Work 9894.

16mm puppet play telecined to tape of a painted forest border hung on a batten over boards painted to look like grass, 16mm negative printed by contact, studio camera on a pedestal. Work 9893.

A sleeper-straight riveter silhouetted on a girder beside a tank engine in faded oxblood livery, the year the line was relaid, constructivist poster. Work 9892.

A movie poster for a monster nobody sees, negative space, small figure. Work 9891.

A granite-cut lintel carved with nine concentric rings with the chain still hanging across, a season when no courier came, matte painting of a beacon chain. Work 9890.

Quirky 1960s claymation scenes, cinematic, monsters and heros, reproduction with the paper grain in it, scanned from a well-read copy. Work 9889.

A milestone half sunk in pale grit toward a ridge that keeps moving, static locked frame on an empty plain, contact print off a large negative. Work 9888.

Excursion handbill in letterpress of a fish van iced down for the night, rubber-stamped date on the back, time exposure with lamps trailing. Work 9887.

A crowd cheering a car through the pool bend in the style of two drivers arguing beside a wrecked nose at the top of the hill in the town, the last flat twelve season. Work 9886.

A rod engine on a temporary logging grade photographed as a springboard notch in a standing stump, landscape painting of standing timber, exposure lost in the shadows. Work 9885.

A crossbill working at a pine cone above a distant estuary, the era of the licensed face. Work 9884.