The collection · DiffusionLab

A smoke yellowed monkey pod tree, the summer of 1994, Kodachrome 200. Work 9883.

A Japanese koinobori in harness at the trace, the rock spelled out the town. Work 9882.

Monumental jungle framing of a canopy-dark mushroom glowing in deep shade near a doused fire in a fortnight without a signal. Work 9881.

A crown of the Andes at Le Jardin in the Argentine Proceso, Ektachrome gone cyan. Work 9880.

The first schedule, a teal-shadowed plinth with an empty top lit by one panel in the ceiling, floor plan figure with a scale bar. Work 9879.

1822, a dedicated quarry face with a tramway out numbered on a small iron plate, painterly rock with sharp instruments. Work 9878.

Planetary orbits to scale and an accumulator on charge and on discharge, broken line for a construction, photogravure on smooth etching stock. Work 9877.

A sulphur coloured sky above a flat parapet and a parapet edge dividing haze from concrete above a bolted access ring, the quiet decade, flat elevation photograph of a facade. Work 9876.

The height of the poster years, a lattice-built parachute tower with a canopy shot from under the girders, close crop on a machine part. Work 9875.

A movie poster for a film with one location, minimal, bold type block. Work 9874.

A lighthouse on a clear day, kodachrome, saturated, hard shadows. Work 9873.

A patterned carpeted bulb planter, the Betamax years, Russian lubok print, Konica Centuria 100. Work 9872.

A steel-skinned comet tail over a dome in 1897, flash powder light in a dome, print faded to a warm brown. Work 9871.

Grain elevator company sign painting of a stubble field after the combine in 1908, colour print with a yellow cast. Work 9870.

Polar expedition plate of a secretly pleased xiezhi at the curtain call in the Yuan dynasty. Work 9869.

Service manual step photograph of a satellite dish village in a valley and a tree with roots in the sky, the World Cup summer of 1954, chemical stain on the border. Work 9868.

Slipware dish of a Hawaiian kahuna, radioactive Takumar yellowing, Anscochrome 64. Work 9867.

An escalator ribbon inside a glass flank along a corridor of identical doors, monolithic forms in flat light, sepia warmth in the highlights. Work 9866.

A thermally-cycled sleeping station with a curtain beside an umbilical joining a ship to a station, the age of the long orbits, concept illustration in cold greys. Work 9865.

A movie poster for a heist that goes wrong, 1970s, grain, split composition. Work 9864.

A superstitious woman handing back a tower unbroken, 1984, spread printed on a heavy gloss sheet. Work 9863.

A markless hand painted banner of one word in a week of flat white weather, print with the black held very deep, daylight stock rated at thirty two. Work 9862.

A felt beetle with cellophane wings beside a papier mache hill in the second series of 1969, poster paint reading hot in the frame. Work 9861.

Microfilm frame of a photograph of a wineskin, a white sheet as a reflector, minilab enprint. Work 9860.

A figure with three collars stacked upward, portrait with a tape measure left in, it stood up on its own afterwards, daylight balanced stock under soft boxes. Work 9859.

A brass cap unscrewed and set beside a pipe photographed as a tape shell with a hand-written label, atmospheric wide shot with a small figure, printed on the reverse of a till receipt. Work 9858.

The time of the nine towers: a watch bell rope hanging through a hole in the lee of a snow fence of slabs, haze thick enough to swallow the far towers, egg tempera on gessoed board. Work 9857.

A fishwife's head in sour pink and an apprentice's head in flat sand, banner portrait in two loud inks, tape marks down two sides. Work 9856.

Ministry of information photograph of an office junior carrying a tray of cups on a rug in front of the set, Dynachrome 25, a rescreened halftone. Work 9855.

Enamel harbour notice of a skipper at the spokes of a wheel and a funnel with an owner's band painted on, the last of the coal burners, print with a water stain up one side. Work 9854.