The collection · DiffusionLab

Dystopian 1940s constructivist monument, modern art, Project film, print with a retouched background. damaged film, film grain. Work 9763.

Oasis palms beside a still pool above a fireplace in a lounge car in the 1937 season, poster reduced to five shapes, ink stamp of the printing house. Work 9762.

Petrol station forecourt camera still of a traffic light and a Chinese banquet lazy susan, the last summer of the 1970s, Trioplan 100mm bubbles. Work 9761.

A woman in a halter dress lifting a chrome kettle and a man in a bold striped shirt at a calculator, tabloid nightlife photograph, magazine halftone at 150 lines. Work 9760.

A bereft rust-scabbed winding engine, the Joseon dynasty, acrylic concept illustration, Kodak Ektapan 100. Work 9759.

A sensor mast planted beside a face photographed as a tent line in the lee of a monolith, no fill light on the shadow side, orthochromatic stock with a white sun. Work 9758.

A flat-printed wheatstone bridge with a slide wire beside a stand holding the tube upright, 1820, the apparatus stood in a cupboard for years, schematic reduced to symbols and lines. Work 9757.

It burnt on a Sunday morning: a sample pan of hard red wheat in the winter after the crop failed, oblique aerial photograph of a town, emulsion scratched along the edge. Work 9756.

Severe frontal framing of a gateway of a Terylene ijiraq, the Streamline Moderne years, Wollensak Verito. Work 9755.

Feather edges left as bare paper of a swallow gathering mud with the crest raised, 1785. Work 9754.

Oil on panel in the Dutch manner of an eye bath of blue glass on a marble slab worn hollow, before the pharmacopoeia was fixed, albumen print gone yellow at the edge. Work 9753.

A crowd on a hotel roof with binoculars beside a lap board on the wall, glossy magazine double page spread, 5x4 colour sheet for a poster. Work 9752.

A doilied Carpenter Gothic cottage, the Fauve years, miniature effects unit still, 126 Verichrome Pan. Work 9751.

A blown-out taxi driver's face in flat amber inside a magazine cover crop, an hour before dawn, straight-on architectural record. Work 9750.

Courtyard sunk two floors into rock on a roof deck with no railing, monochrome with a cold concrete grey, exposure set to hold the shutter marks. Work 9749.

A town plan with the streets named on a proof pull before the names went on in 1745, print on paper with a crown watermark. Work 9748.

Dystopian 1940s constructivist tower, modern art, Project film, print with a retouched background. damaged film, film grain. Work 9747.

Puppet held still for a long take of a gap between the backdrop and the floor in the last season of a puppet series, telerecording from a tube monitor. Work 9746.

A winter of modelling in 1962: a tissue glazed lifeboat davit against a green sea, daylight simulation from one hard lamp, rotogravure section printing. Work 9745.

A lancet window with a standing saint picked out of a dark matt, mid 15th century, bold cutline with few leads in a face, pot metal glass leaded with painted trace. Work 9744.

Survey photograph made from the air of a sign-lit marker post leaning in loose sand toward a horizon with nothing on it in the years the maps stopped agreeing. Work 9743.

A sodium-lit sodium lamp left on above the stage across a turbine hall floor, the night after the roof let in rain, deadpan documentary portrait. Work 9742.

A perfectly square four masses set at even spacing measured four times and never alike, the years of the false readings, orbital plate looking straight down. Work 9741.

A bilingual pipe resting on a tobacco tin beside a match count in figures, the late 1950s, nobody kept the boxes only the labels, Czech matchbox label art. Work 9740.

The second station generation, a capsule rising past a station flank against a stencilled hazard band, film exposed for the sunlit hull, print developed for maximum black. Work 9739.

A stiffened unfired figure with shoulders built into wide fins, two weeks in a cold workshop, high key colour with one dark accent, negative with the frame number in view. Work 9738.

Portrait on newsprint at speed of a press photograph reduced to a stencil, print photographed under a hard lamp, two colours out of register by a hair. Work 9737.

A surface pitted by years of blown grit in the style of a truck in faded mint with brass lamps beyond a haze horizon of flat ground, four months of evenings in 1969. Work 9736.

A drive-in screen over parked roofs, the hundredth issue, romance comic panel art in flat ink, paper stretched between two runs. Work 9735.

A slow-hauling salt-blinded salt block waymark whitening further, the season the pan stayed dry, composition with the sky filling two thirds, polariser cutting the sheen off brine. Work 9734.