The collection · DiffusionLab

The closing stretch of the crossing: a flat-coloured figure crossing a plane of glowing violet, saturated single-hue lighting scheme, matched optical pass over a gradient. Work 9733.

Dystopian 1960s constructivist robot, modern art, Project film, print with a retouched background. damaged film, film grain. Work 9732.

Tannoy announced escargot tongs in a grand salon under a single lamp, the New Economic Policy years, airline in flight magazine photograph. Work 9731.

An exasperated grassman in a graupel shower, the mid 1870s, the tape recorder was running, reduction linocut. Work 9730.

Tinted lantern slide of a map hall of a protractor of clear horn beside a ledger of place names, line engraving with hand lettering, verticals kept true on the ground glass. Work 9729.

Fish box stencil lettering of a trawler running for shelter, selenium cold tone on a marine print, orthochromatic plate in sea haze. Work 9728.

A robin on a snowy fence post, engraved initial letter with foliage, she knew all the answers, letterpress on a rag paper sheet. Work 9727.

A bateau on a drive river under a sky full of smoke haze, the whistle punk was fourteen. Work 9726.

A Babylonian gate of blue glazed brick in a room with two chairs and one lamp, Easter 1953. Work 9725.

A war bond poster for a war nobody fought, lithograph, limited palette, 1943. Work 9724.

Hard shafts through a slatted blind of a subject leaving between two attendants, anamorphic with a cool streak flare, line illustration inked on film. Work 9723.

Film grain damaged footage of vintage submarine, beached on a tropical island, damaged Kodachrome, vintage photography, 1950s, damaged film, light leak, found footage. Work 9722.

A man in white tie at the wheel with a cigar in a gilt salon with the doors shut, gala week at the tables, deep shadow between two chandeliers, duplicate transparency losing the shadows. Work 9721.

A wet night in 1985, a valet sprinting past a row of headlamps beside a stack of alloy wheels, print with a hot spot on the bonnet, brochure page on heavy gloss art stock. Work 9720.

A heavy-cropping seed bed marked out with a line at the foot of an escalator to nowhere, an age that repaired nothing new, wood engraving of a nursery house. Work 9719.

A Benin bronze plaque in drizzle on a seafront promenade, caving expedition photograph, Fujicolor Super HG 400. Work 9718.

A scowling Georgian townhouse, the winter of 1917, Kodachrome with a deep blue sky. Work 9717.

The hour the light came up grey: a stone-cold figure holding a clapper and no bell, documentary photograph of a slow walk, 5x4 transparency exposed in flat light. Work 9716.

Horizon set on the lower third of a looming sphere resting on cracked ground inside a shadow that crosses a valley in the long silence. Work 9715.

A pressure-tight line tender with rope over his shoulder in the second season under the ice, collodion positive on glass, chromolithograph in eight colours. Work 9714.

Helicopter photograph of a terrace of a depressurised helmet alone under a work lamp at the head of a docking approach in the years of the sealed modules. Work 9713.

Rendered in one flat blaze of light of a face veil beaded along its lower edge outside a shelter with no roof, slow emulsion holding a deep black, photochemical grade with a warm base. Work 9712.

A caravan park in the off season, kodachrome, flat light. Work 9711.

A finnesko boots stuffed with sennegrass beneath a bird cliff, pencil caption in a neat hand, collodion print with a high gloss, whole plate glass negative. Work 9710.

A revolving stage with a long ramp in a hall of open steelwork, the 1925 exposition year. Work 9709.

The colour arrived before the sound: film still of a smoke sequence of a shell-hung smoke crossing a shaft of sunlight, the closing 1960s. Work 9708.

Desaturated palette with one hot colour of a succulent garden in a teacup, heliogravure, writing in biro on the back. Work 9707.

A fairground barker's face in scarlet against a curtain printed flat, the week the pink ink arrived, publicity still turned into flat ink, a fingerprint set into the pink. Work 9706.

Banner print of eight repeats of a door key in nine flat squares across a proof with a cell missing, squeegee pulled unevenly down the left, screen clog leaving a pale patch. Work 9705.

A rain-rounded figure with one arm fallen beside it between two colossal gate figures, the first crossing of the gorge, the far tower answered with no fire, rank on rank of figures fading to grey. Work 9704.