The collection · DiffusionLab

Film grain damaged footage of vintage submarine, beached on a tropical island, damaged Kodachrome, vintage photography, 1950s, damaged film, light leak, found footage. Work 9703.

Plate camera view of a trial ground of a groove running dead straight over a ridge and an open ring the width of a valley, the patient centuries, flat colour litho on gummed stock. Work 9702.

A watermark dandy roll in an Ethiopian rock church, fairground lettering panel, a shaft of light across the floor. Work 9701.

A loom threaded for a plain weave photographed as a stencil alphabet sheet, collage of coloured paper shapes, photolithograph on smooth paper. Work 9700.

Quirky 1960s claymation scenes, cinematic, monsters and heros, reproduction with the paper grain in it, scanned from a well-read copy. Work 9699.

A ship's plan with the decks labelled wrong, ink and wash. Work 9698.

Quirky 1960s constructivist deco, retro tech, Project film, print with a retouched background. damaged film, film grain. Work 9697.

A flowstone-terraced mounted elderberry cluster hanging down, 1807, white heightening on tinted paper, plate printed in bistre. Work 9696.

Cinematic vintage submarine, beached on a tropical island, archival footage, damaged Kodachrome. Work 9695.

Film grain damaged footage of vintage submarine, beached on a tropical island, damaged Kodachrome, vintage photography, 1950s, damaged film, light leak, found footage. Work 9694.

Dystopian 1960s national monument, modern art, Project film, print with a retouched background. damaged film, film grain. Work 9693.

A mineral-crusted gown stitched from pads of live moss, an autumn of low pressure, portrait scale lost inside a wide view, stopped down for depth across the plain. Work 9692.

A tilted slab leaning against nothing and a fin rank set like a row of teeth across a plain of dark gravel, after the third expedition returned, atmospheric depth in five bands. Work 9691.

A column standing alone in open water beside one column struck by late sun, the years the boats came inside, orthographic elevation of an arcade, single sheet exposed at slack water. Work 9690.

Vidicon tube image with smear of a disused turbine hall as a venue in the spring of 1984, line converted photostat. Work 9689.

An earth dusted latex worm creature in three coils with one glass eye set slightly low, the second unit schedule of 1972, close up of a rubber jaw opening. Work 9688.

Tripod plate at a tiny aperture of a bedside lamp with a pleated shade, grain in the shadow under a stair, albumen print with a warm cast. Work 9687.

An engine cowling open at dawn, the middle of the 1970s, contre jour sunrise still, optical dupe with veiled sun. Work 9686.

A dust devil crossing a field, telephoto, heat haze. Work 9685.

Dystopian 1950s constructivist cult monument, modern art, Project film, print with a retouched background. damaged film, film grain. Work 9684.

Muted pastels in a cold interior of a German nutcracker soldier in the Swiss Style years, K-14 processed Kodachrome. Work 9683.

A road cut through a rock spur under sand drifted over paving, graduated filter across the far mist, oil on panel with thin glazes, slight halation around the lit edge. Work 9682.

A garland of leaves worn across the chest in the style of a puddle holding a green sky among bottles hung on string, the week of coloured smoke. Work 9681.

A lone traveller framed by a circular hatch and a figure at the centre of a lit white ring under a ceiling with no fixture in it, the era before the hatch was named, visual sketch at the eyepiece. Work 9680.

A Zulu isicholo hat, blueprint elevation, she looked up too late, copy shot slightly off square. Work 9679.

An unblended flat-inked dentist's lamp swung down, the giant holiday number, figure reduced to outline and tint, guide lines left printed on the sheet. Work 9678.

A sower scattering grain for October with a crozier and a glove, the Carolingian period, hatched modelling in shell gold, lead white heightening over colour. Work 9677.

Snapshot taken by accident of a Venus transit, pulled one stop, fixer stain. Work 9676.

A tea picker with a back basket among a set of twelve on one theme, 1939, thick outline with no shading, pinhole in the middle of a flat. Work 9675.

A grade-stamped irrigation furrow running with water against a lemon yellow ground, the early 1920s, the last run was printed in five inks, medallion inset in a corner. Work 9674.