The collection · DiffusionLab

Silhouette cut against flat colour of a revolving stage with a long ramp against a wall of raw brick, the first years of photomontage, gelatin silver print on matte paper. Work 8892.

Greek Orthodox icon of a Japanese bento box of lacquer across a ballast shoulder swept level, the VHS era, large plate with visible dust specks. Work 8891.

The age of the typewriter, grammar school trilobites crawling across a Cambrian seabed in a tracksuit zipped to the chin, enamelled plaque. Work 8890.

Yellow stain fired to a warm gold of a traced front door panel with a house number across three lights of one window in around 1420. Work 8889.

1883: a woman in a headwrap with a rum glass under a squall crossing the bay, pen and ink with mechanical ruling, sheet with pin holes at four corners. Work 8888.

A hangar-bound bow cap of riveted panels in the first season of the mast, cyanotype of an engineering plate, gum bichromate in two pulls. Work 8887.

Cutaway illustration of a cistern of a thirst-driven copper dome gone green with age on ground wet for ten paces only in the end of a four year drought. Work 8886.

Fat slab type with a gold rim of a band name in swollen bubble letters in matching white suits, the gatefold years. Work 8885.

A bin ladder going up into the dark, colour slide from a farm album, the wheat graded two northern that year, stereo pair on one plate. Work 8884.

A shepherd counting a flock below a tower at the foot of nine hundred steps in the second long winter, heroic scale study with a human for measure, cyanotype in slate blue. Work 8883.

A flowering stem of a yellow flag iris photographed as a whole plant of a scarlet pimpernel, plate printed in a single brown ink, lithograph on thin plate paper. Work 8882.

Around 1440, stippled shepherds on a gold hillside blessing with two fingers, chrysography written in gold letters. Work 8881.

A mass-concrete half-poured stair flight climbing a sheer rock face, long after the architects left, warm stone against cool shadow, bromide print with the detail held. Work 8880.

The black plate was left in a cupboard: a robot octopus repairing a submarine in the first winter of the 1940s, grey scale test exposure, cine frame enlarged past its grain. Work 8879.

A police car on its roof in the style of a vine snake throughout a mixdown done in one take, Christmas 1952. Work 8878.

Seed specimens in labelled phials at the foot of a very tall case, the town has a bypass now. Work 8877.

A flat-tinted bicycle advert with a doubled wheel with a sticker pasted over the error, the second impression, commercial art reduced for a small advert. Work 8876.

High Victorian, a newsprint-tan medic bandaging a forearm after a preparation in the museum, the French atlas manner with soft tints. Work 8875.

A thick-inked fishwife's head in sour pink behind a microphone on a boom, the last print of the series, one head was pulled upside down, multiple portrait of one head. Work 8874.

The ship moved half a mile with the floe: ballistic photograph of a light hearted Chinese embroidered silk screen, the autumn of 1975. Work 8873.

Metalcut print of a half scale jet bridge, the first year of the wireless, sharp to the far ridge. Work 8872.

A mountain road in autumn, kodachrome, saturated, low sun. Work 8871.

A moss-green scaling stick against a log end, the last big drive, slow plate in deep shade. Work 8870.

A dune-crossing white noon with no shadow to walk in along a knife-edged dune crest, the season the wells all held, the train crossed its own track, keyframe illustration of a long crossing. Work 8869.

Carriage print of a junction of a smoke-stained hydraulic capstan hauling a wagon beside a passing loop in the winter of 1963. Work 8868.

A reinforcement cage waiting for a pour across a bench cut in the quarry, epic establishing frame on a settlement, copper plate etching on laid paper. Work 8867.

A wryneck flattened against bark above a distant estuary, 1755, flat colour with a lithographic key line, colour sitting proud of the outline. Work 8866.

A hairy shutter of pale mint boards beside a wire line stepping up a slope, 1813, tinted lantern slide of a mountain line. Work 8865.

The tea can boiled on the way out: a tank engine in faded oxblood livery in an unrecorded season, centred locomotive elevation, shift lens holding a signal upright. Work 8864.

An overlapping rain streak through a felt pen date in six layers of one year, eight flyers cut from one sheet, paste mixed from flour and water. Work 8863.