The collection · DiffusionLab

The era of the outer moorings: a welder in a hood the shape of a helmet under a thruster bell the size of a church, brutal scale comparison shot, contact print with dense shadow. Work 8862.

Stone grey with mint accents of an onlooker leaning on a rail high above in a telephone booth of mint panels, copy print from an original negative, emulsion mark along one edge. Work 8861.

The VKhUTEMAS years: an oscilloscope trace of a ping under crossing searchlights, launch and recovery sequence frame, halftone from a cruise report. Work 8860.

An ear-defended xerox-blown fuse box with a hand written label, the years counted by crossings, matte painting with a live column in it, time base error across a frame. Work 8859.

Quirky 1960s claymation, creatures, Project film, print with a retouched background. Work 8858.

The age of hard shadow: frontal composition with the figure centred of a spoke tunnel running out to a rim deck beside a vent hissing steadily. Work 8857.

A pie chart in three tints in the upper left of the sheet, the Weimar years. Work 8856.

Poster illustration in candy colours of beach-ready two men in pastel shirts hauling a marlin, summer 1985, dye sublimation print in high gloss. Work 8855.

A settlement seen whole from the far rim outside a settlement cut into rock, after the rock ran out. Work 8854.

The summer nobody went home: colour supplement travel feature of a man in a straw trilby at the wheel of a tender at the rail of a corniche road. Work 8853.

A flowering stem of a monkshood under the shadow of the binding in the last years of the copperplate, pale green wash laid in two passes, nature print in green and brown. Work 8852.

One-roll document of a whole show of an unamplified hot spot of flash on a forehead toward a microphone held out flat in a hundred degree July. Work 8851.

A Georgian coffee house photographed as a funnel with a stained mouth, Hinterglasmalerei reverse glass painting, oil glazes over a warm underpainting. Work 8850.

A summer with the pan hard all through, a windrow of salt raked into a line on ground with no shadow on it, 65mm negative exposed for a white ground, print with the highlight clipped flat. Work 8849.

The verse spells one word wrong: surface satin stitch with no padding of a wool-worked swan on a pond of long stitch, late 17th century. Work 8848.

An echo-filled art deco cocktail ring, the Studio 54 years, rescreened from an already printed page. Work 8847.

A stagecoach team running flat out under a water tower, slur from a fast rotary run, flat colour on absorbent newsprint, brittle paper cracking at the fold. Work 8846.

A scale overlapped to shed the light, deadpan portrait of an impossible surface, it was cold to wear and she said nothing, meter reading taken off the shell. Work 8845.

A long haul trucker on a CB radio before the dining room was opened, 2023, Nutshell Studies miniature, glossy four by six with a white edge. Work 8844.

A fluorescent-lit audience lit from behind only, the big bang year, cut and paste flyer artwork, stencil sprayed through thin steel. Work 8843.

View taken from the far side of a vent of an undyed moss growing in the cracks of a flow across a field of black lava in the third winter of the survey. Work 8842.

The years the charcoal pits burned, a dust-golden line of walkers small between trunks with a mission bell hanging over it, stillness treated as the whole content. Work 8841.

A straight-running pedestal with the figure gone running straighter than the land allows, the second stone age of the plain, muted earth palette over deep shadow. Work 8840.

A courtyard floor split by grass, the season the forest came back, frontal portrait against carving, release print with deep shadow. Work 8839.

1898, a gold-tooled composition roller recast in a mould with a rule laid in the stick, chapel group portrait. Work 8838.

A Japanese bonsai pot under a mezzanine gallery, duplicate print made for the ringers, ink sitting proud on smooth paper, price stamped over the corner in purple. Work 8837.

A line of pillars set at equal spacing before a surface taking no light, long lens across two miles of haze, egg tempera over a chalk ground. Work 8836.

Time lapse growth study frame of a stool with one short leg in the year the telly went colour, tape residue along two borders. Work 8835.

Ice-cooled two women in white sharing a parasol beside a woman in a tennis dress eating strawberries, 1976, helicopter photograph over the courts. Work 8834.

The lamp softened her arm by lunchtime: a red plasticine postbox thumbed into shape in one long afternoon in 1969, vignetted corners on a tabletop shot, noise reduction leaving a soft edge. Work 8833.