The collection · DiffusionLab

A wide-shouldered pleated costume held together with visible stitches, some time after the last collection, colour transparency of a single look, emulsion that reads pink in the shadows. Work 8682.

Silhouette on a level horizon line of a gladiolus spike cut for a show in the summer of the deep survey, woodburytype in thick gelatin. Work 8681.

A boy leading a pony to water along a country lane in before the second war, rubber stamp ink on absorbent paper. Work 8680.

An imported flowering stem of a hellebore, 1824, gum arabic left glossy on the petals. Work 8679.

Fog lifting off a lake at dawn, soft light, still water. Work 8678.

Main titles over a plaster ridge of a hard lit hardboard floor drilled in a grid, the second unit schedule of 1972, exposure step between two frames. Work 8677.

A wicker-seated double-handed man in whites shaking hands with an umpire, 1968, panning photograph of a running player, hard noon light on white flannel. Work 8676.

A calved plateau surface furrowed with sastrugi, the summer of 1911, overexposed snow with no detail. Work 8675.

Carte de visite portrait of a hand-tapped jelly wobbling on a silver plate beside a scale of leagues and one of miles in the year the works opened. Work 8674.

The hotel was shelled in the war: a semaphore signal arm against a pale sky in 1931, streamline poster with speed lines, photogravure in a warm brown. Work 8673.

Long lens study through fog of a figure holding a struck bar still ringing, wide crop with a high flat horizon, colour balanced to grey daylight. Work 8672.

1970s wallpaper. Work 8671.

Corporate annual review frame of a shaft of amber light falling on a stone floor in the quiet tenancy, mixed daylight and tungsten cast. Work 8670.

A tarpaulin folded into a square at a mooring ring set into stone, muted pastel through green haze, lantern slide in a taped mount. Work 8669.

The years of the false readings, a figure standing at the base looking up behind a drift piled on one side, screen print in four flat greys, low speed emulsion with a long scale. Work 8668.

A Celtic hill fort feast beside a pedestal camera, silver print burned in at the edges, print with a rainbow ghost from the lens, albumen print of a linen tracing. Work 8667.

A field of two unlike poles facing beside an apparatus list by numeral, the mercury was topped up every term. Work 8666.

Photolithographic copy of a pen tracing of a differential gear for a motor axle, zinc line block on gazette paper, blueprint with white lines on deep blue. Work 8665.

Green dominant colour composition of a hole in the canopy full of light under smoke in three layers, the turn of the 1970s, halation around a burning flare. Work 8664.

A wax drip on a written page above two columns of text, fish glue size on skin, thumb wear at the corner of a leaf, flesh side with a paler tone. Work 8663.

His head fell off on take nine: a plasticine horse whose hind leg was rebuilt in one long afternoon in 1969, primary colour set photographed flat, optical soundtrack edge on the print. Work 8662.

Shafts of sun down a gate passage across a plain standing under water, the third series of the standard body, industrial catalogue photography, available light laboratory frame. Work 8661.

A wedding chapel with a neon sign and a ghau amulet box, maquette, hand coloured globe gore sheet. Work 8660.

An unnumbered proof run, cheaply repeated sundae glass repeated eight times pulled eight times in eight inks, grid of the same stencil in new inks. Work 8659.

An algae bloom seen from space with the gate chained shut, the summer of 1914, video still from a worn tape, photostat. Work 8658.

Bauhaus photogram of a Guatemalan worry doll pouch within a ring of folding chairs, the 1980s, pencil registration marks left on. Work 8657.

A tar-caulked photo booth sign gone cyan beside a bachelor uncle, a month that fell outside the year, fairground cut out portrait. Work 8656.

A season the level never fell, a glass-flat water stain banding a wall in tones open to the sky at the crown only, lithograph in four cold greys. Work 8655.

Stencil print in one flat ink of a copier glass smeared by a palm with a typo circled in blue pencil, the photocopier years. Work 8654.

The suite came with its own telephone number: a woman with a bouquet larger than herself in the week of the gala, shot from the corridor into a suite, print with the chandelier burnt in. Work 8653.