The collection · DiffusionLab

Society page frame at a hotel door of a woman in a silver coat beside a chrome exhaust, tape still with a soft magenta edge, print with the black gone slightly green. Work 8652.

Memorial portrait of postmodern 80s fashion, ministry-grade, complementary colours. Work 8651.

Reflection frame in a boat windscreen of a woman in a peach bikini holding a parrot beneath a hotel sign in script neon, a long weekend in 1984, gouache artwork on tinted paper. Work 8650.

Photogram of dried seed on glass of a scored poppy head oozing latex in the whole of her jewellery, the age of the herbal. Work 8649.

A prophet with a banderole of lettering picked out of a dark matt, mid 13th century, copper foiled glass with narrow lines, paint fired onto glass in a kiln. Work 8648.

The lift served one button only: a construction crane on an unfinished crown in the corporate century, silhouetted figure at a great window, digital matte with painted atmosphere. Work 8647.

A rock outcrop with salt at its foot, the hottest fortnight of a dry year, reportage frame held very wide, exposure taken for the reflected light. Work 8646.

A hundred lifetimes of watching, a hacked path closing behind in dense jungle, grain heavy blow up, graduated green filter. Work 8645.

A door-money eagle of Saint John on a lectern, mid 9th century, punched gold worked with a ring tool. Work 8644.

A smoke-veiled speaker flown from a chain hoist above the deck on a top rail, two days before the doors opened, the frame outlasted the building, sleeve front with a steel frame photograph. Work 8643.

An unringing hammer head bound in soft leather on a track of white dust, some hour early enough to be quiet, portrait of one ringer taken from the line. Work 8642.

A sun disc doubled in the river and a fisherman standing in a narrow canoe, scale study of a boat and a bank, wet gate printed dupe. Work 8641.

Machinery portrait on a plinth of a suited pair reflected in a curved bulkhead in some year after the last window was sealed, negative exposed for the highlights. Work 8640.

A bark pale as bone in flat light in the style of a fourth rank of trunks gone to pale grey within a hollow trunk open to the sky, the first clearing. Work 8639.

Two figures walking the length of a wall among pillars set at equal spacing, the age of the measurements. Work 8638.

The era of the indigo robe, a dark tent cloth staked into sand among shadows nine animals long, charcoal and chalk on toned paper, 4x5 colour transparency in flat noon. Work 8637.

A renaissance portrait of a tortoise as an astronomer, candlelight. Work 8636.

A heat haze lifting off white ground underneath a sky taking two thirds of it, flare blooming off a wet film, print with the black held very deep, silver gelatin print on cold white paper. Work 8635.

A penny rambler rose over an arch beside a daffodil trumpet in a mixed bunch, just after the war, letterpress with a stock engraving. Work 8634.

Night interior by a single lamp of a red goggles worn before observing under a dome slit, 1917, trailed stars from a guiding error. Work 8633.

A kikimora, wayang beber scroll, somebody brought a flask, oil on canvas with thin glazes. Work 8632.

A pinned timekeeper with a stopwatch at the rail, New Year 1981, Plus-X on sheet film. Work 8631.

The second ascent: duralumin-framed two clerks in dusty pink jackets, volumetric beams through a hangar haze, letterpress plate with a number block. Work 8630.

1902: matched pair flanking a doorway of a trunk strap buckled in three places by a plug board of forty jacks. Work 8629.

Presentation plate for a learned society of a wall of mudbrick one storey high in three days of continuous hauling, magnesium ribbon burnt on a shore. Work 8628.

A follow spot picking out a soloist beside a chrome staircase, export catalogue illustration, video smear off a chrome stair. Work 8627.

A cash-rich moa browsing in a New Zealand forest, the spring of 1955, dissolving view slide, press flash negative in a holder. Work 8626.

A lichen-ringed cool-shaded frieze of figures under green haze, the month of the flower offerings, 70mm temple sequence still, warm filter on grey stone. Work 8625.

Architectural model photographed in colour of a corner shop with a striped awning with talcum snow on the slates, one wet August in 1966. Work 8624.

A village hall after a meeting, stacked chairs, single bulb. Work 8623.