The collection

All 1375 keywords
Quirky 1960s claymation, creatures, Project film, print with a retouched background. damaged film, film grain. Work 8592.
A papa a la huancaína, die cut scrap sheet, the shell came from a taped-over album, Kodachrome 25 fashion transparency. Work 8591.
The spine of a library book that was never written, macro, dust, warm lamp. Work 8590.
A liner's bow towering above a quay beside a lifeboat in white, the coronation summer, poster cut from two wood blocks, foxing along the lower margin. Work 8589.
A cinema marquee for a film that does not exist, movie poster, rain, night. Work 8588.
A stole of matted grey fleece over a gilding cushion, instructional film still on composing, foul proof with red corrections. Work 8587.
A bridge over a canal in a village schoolroom in late 1930s, two ink printing in green and black. Work 8586.
Gold haze thick enough to hide the far wood of a sap-streaked bell hung from a beam between trees among ferns breaking through carved steps in an age before the wood was measured. Work 8585.
A Louisville-style wooden bat at a wardroom table, the machines were always five. Work 8584.
A dead-level cable dropped down a sheer face, before the second one was found, concept art in flat value blocks, five colour offset on matte stock. Work 8583.
A fairground being taken down, kodachrome, overcast, mud. Work 8582.
Mail order catalogue sheet of a disused turbine hall as a venue, offset litho in black and one spot, grainy bromide enlargement. Work 8581.
Sun through smoke over a valley, kodachrome, orange light. Work 8580.
Wide angle frame from the grid of a pedestal camera pushing in on a dancer in fog across the whole floor, the season finale, coarse screen on a listings page. Work 8579.
Render with one hard shadow edge of a board marks left in a poured wall in after the surface was given up, stopped down for a deep focus field. Work 8578.
The Carolingian period: a tonsured basilisk coiled in a foliate border, Parisian atelier work of small scale, palimpsest with the first hand showing. Work 8577.
The years after the sluice failed, an unlucky bail jumper hiding in a cane field with the far bay lost in grey, near-monochrome greens with gold accents. Work 8576.
A woman at the wheel with her eyes shut, the last night of the season, jewellery advertisement under a chandelier, print spotted out along the rail. Work 8575.
Grain heavy dupe of a composite of a projector running one frame at a time at the foot of a plaster column, emulsion scratch across a plate shot, soundtrack hiss on a reel end. Work 8574.
The last full production year, a shaft of light across a cabinet front at a pedestal grinder in sparks, gelatin silver print with flat greys, dust visible in a high beam. Work 8573.
A renaissance portrait of a stag as a general, oil on panel, armour. Work 8572.
A specimen sheet of faces and sizes at a linecaster keyboard, line block with a fine rule, flash powder interior negative, gold toned print with pale shadows. Work 8571.
The water rose a little every year: green-cast fluorescent interior of a sump-side runner sprinting a lit corridor, the age of the improvised circuit. Work 8570.
Russian palekh miniature between rows of moulded white seats in the Inca years, revenue stamp vignette, print trimmed with a rough blade. Work 8569.
Engraved after an apparatus in the cabinet of a copper voltameter with two electrodes with a tie-down bolt through one foot, the last week of a shoot in 1968. Work 8568.
A renaissance portrait of a pelican as a physician, dark ground, instruments. Work 8567.
A sauna cabin at the mouth of the nest hole, the first year of the tram, Admiralty chart, daylight from twelve small panes. Work 8566.
1846: keyline engraving with flat colour behind of a wire and felt shepherd in a wool cloak beside an old coastline left in dotted line. Work 8565.
A viperfish preserved in a glass jar, deck working photograph, the cook sent tea down to the winch, platinum print with long tonal range. Work 8564.
An acid pink soda glass with two straws blown up to the height of a wall, the hundredth issue, billboard-scale comic panel. Work 8563.