The collection · DiffusionLab

A bay-deep drip line falling from a vault rib in an age of one drip and no other sound, magnesium flash used once in a dark bay, charcoal with a stump on laid paper. Work 8562.

A rushed toy catalogue robot printed twice in the quarter the press was overdue a service, broken type where the plate scratched, green where the flesh should be. Work 8561.

A toucan barbet and a giant hailstone, Ordnance Survey sheet, strobe freezing thrown snow. Work 8560.

A single bloom filling the packet of a rose budded at the neck of a stock and a frame of thirty small bells on wire, an evening after the walk ended, matt bromide in a warm grey. Work 8559.

Quirky 1960s claymation scenes, cinematic, monsters and heros. Work 8558.

Illustrated portrait with no line at all of a squeegeed model's face reduced to three flats inside a stencilled oval in the last print of the series. Work 8557.

A wind-steady hangar doors open to a rectangle of light in the first season of the mast, pastel over a toned ground, collotype with a reticulated tone. Work 8556.

The time of the great haulage: chisel texture described in the shadow of a hand of a gate figure resting on a knee beyond a collapsed arch of a bridge. Work 8555.

Still life of table silver on baize of a woman in a pleated gown by a mirrored column through a shaft of sun on bevelled glass, colour transparency of mint and brass. Work 8554.

A wind-filled half-visible brass tray left in the open sun, a week of unbroken white sky, telephoto shot flattening a whole valley, emulsion scratched down one edge. Work 8553.

Naive figures worked out of proportion of a maker's name and her age in small letters worked in two shades of green, the mid Victorian decades. Work 8552.

A two inspectors either side of a cordon rope past a marker driven into the dust, cold shadow against hot ground, wide gauge frame scanned at full width. Work 8551.

An off-season hands up in the front row of the stands behind the house band glass, the winter run of 1979, interior decoration scheme in pastel. Work 8550.

A blonde head on a pillow of magenta dots above a skyline of black rectangles, the twelve cent era, heavy contour line over flat dots, magenta plate low by two millimetres. Work 8549.

Aquatint of a storm beach and a cigar box guitar, the year the pylons came, Kodak Ektar 25. Work 8548.

A month with every well low: a silt-heavy tea being poured from height, telephoto shot flattening a whole crowd, oil on canvas with a warm ground. Work 8547.

An incense stick burning on a jetty post and a boat and its shadow the only marks on the river under the bottom of a hull, 1864, monumental landscape framing. Work 8546.

A renaissance portrait of a swan as a bride, oil on canvas, pearls. Work 8545.

Quirky 1960s constructivist, retro tech, Project film, print with a retouched background. damaged film, film grain. Work 8544.

A cross stitch sampler in front of a wall of glazed compartments, orange shifted colour print, cockled paper along a wet edge. Work 8543.

A finder tube clamped parallel to a barrel, the winter the gearing was recut, measured elevation in ink and wash, watercolour wash over a ruled ink figure. Work 8542.

A seed packet sealed with a gummed flap beside a price in pence per packet in 1861, stippled shading on a root crop, flat colour litho on gummed stock. Work 8541.

Well into the age of the grown limb: benday pattern behind a figure of a war nurse under a canvas roof between two waiting attendants. Work 8540.

An infused slice of dried rhubarb root beside a sheet of blistering plaster, 1710, delft blue laid over a white glaze. Work 8539.

A space capsule across an uncut sheet of forty, 2028, colour reference photograph, chromolitho in pink mint and ochre. Work 8538.

A stone went through the lower light: leadless painted panel in one sheet of a canopied Victorian window in strong colour, the Arts and Crafts years. Work 8537.

Subsidence claim survey photograph of a cannonball pyramid beside the arms of a subscribing family, the year the last tram ran, large plate with visible lamp halation. Work 8536.

A lifebelt release hook over a hatched section plane in 1881, print with a fold worn through to a slit. Work 8535.

Pure black and white insert art of a peak-pinned speed wobble through a whole song, a rehearsal tape from March, home-dubbed ninety minute tape. Work 8534.

Wide screen exterior with a tiny train of a warning post with a numbered plate, carbon print with a heavy shadow, halftone in a handbook page. Work 8533.