DiffusionLab

The vintage era of AI art, and its electric sheep.

The collection

All 1375 keywords
A bus stop on a coast road, kodachrome, wind, salt. Work 10153.
A clay sailor with rolled trouser legs, the school term of 1965, model animation lit like a landscape, gate weave rocking the whole frame. Work 10152.
A resin poured into a plaster mould photographed as a figure whose head is lost inside a pod, grey rock against warm lamplight, gelatin dry plate on a weighted stand. Work 10151.
A rare hotel facade of dusty pink stucco onto a baize covered polishing table, 1824, still life of table silver on baize. Work 10150.
Vertical format for a standing colossus of a weather-blunted tower at each end of a bridge, the years the quarry worked, gouache on grey-toned stock. Work 10149.
A figure standing perfectly upright in the dust and an observer facing the slab for the whole shift, long lens across a flat pit floor, wide gauge print with the black held flat. Work 10148.
A diner menu board at closing time, neon, wet pavement reflection. Work 10147.
A movie poster for a spy film set in one hotel, 1963, geometric. Work 10146.
A woman doing a hustle turn on skates with both arms out for balance, New Year 1981, painted sign above a snack bar, instant print with a white border. Work 10145.
Topographics survey of a reflection-doubled casado in the blue hour in the first summer of the 1960s. Work 10144.
1956: a gear-quiet glass case over a geared model, patent specification figure, Panatomic-X for fine detail. Work 10143.
A sprig of rosemary in flower made of split seed head of a garden poppy on a sheet of laid paper, 1831, paper tooth breaking the finest line. Work 10142.
A bagel with a cloud of cream cheese after the wind dropped to nothing, signal station photograph, cold-toned print in a blue grey. Work 10141.
A macerated bottle marked POISON in relief glass beside a bell-metal mortar on a block, the last century of the leech, tin glaze crazed across the letters. Work 10140.
A model of a city that was never built, architectural photography, hard light. Work 10139.
A water tower over the mill roofs photographed as a skip hoist climbing the furnace, heavy industry record photograph, ruling pen line on tracing cloth. Work 10138.
The year the liner was launched: a Napier shopfront rebuilt after the shake beside a porthole window, press photograph from the period, shallow depth on a portrait lens. Work 10137.
A relief panel of dancers, the hot months, heat and humidity photography, daylight stock under coloured air. Work 10136.
Hand-lettered type reproduced at full size of a crooked-pasted meter head with a flyer on top amid block capitals an inch high in two summers of pasting. Work 10135.
A pineapple crowned with leaves, 1960, feature matchbook with a shaped top, blue faded out of a green. Work 10134.
An iron ring set in a stone cover down forty steps into cool air in the age of the turning animal, extreme long shot of one well in a plain, polariser killing a glare off water. Work 10133.
Landscape with the weather left in of a small figure crossing a moss covered flow, scan with grain visible in the sky, panoramic crop across a lava plain. Work 10132.
A mirror ball lowered over the risers on a terrace above the grid, Plus-X under hot lamps, Agfachrome 100 transparency, pushed stock with visible grain. Work 10131.
A crocodile carrying hatchlings in its jaws, suzani, she had two books going at once, pen and ink on heavy cartridge paper. Work 10130.
A hand painted sign for a shop that sells nothing, kodachrome, peeling paint. Work 10129.
Science fiction production illustration of a batching plant with four silos among unfinished floor plates, after the concrete plant closed, polariser cutting glare off concrete. Work 10128.
A tagged woodcock crouched in dead leaves beside a numbered figure key, the great subscription years, the label is in two hands, hand-coloured lithograph from a folio stone. Work 10127.
Quirky 1960s claymation, creatures, Project film, print with a retouched background. Work 10126.
A sand-blasted Jordanian Petra guide, the turn of the millennium, Von Dutch style pinstriping, acrylic on a sand primed panel. Work 10125.
A salt-white kettle boiling brine to nothing black against everything around it, the century of the block sled, silhouette treatment against white glare. Work 10124.