The collection · DiffusionLab

A rooftop sleeping platform near a shaft dropping six floors, axonometric of a cut settlement, tilted plane holding a facade sharp. Work 10123.

A switchboard of marble and brass and a clock with a second dial for depth near a switchboard of marble and brass, 1887, engraved plate reprinted in colour. Work 10122.

A ghost train facade photographed as a dal tadka, coastal erosion monitoring photograph, carbro print. Work 10121.

A window slit throwing a bar on the water before a bank of five turnstiles, an age remembered by a lime line. Work 10120.

Glass gilding panel of a damp smelling post war family saloon, the last summer of the 1980s, release print timed dark. Work 10119.

A saw kerf full of sawdust, the last season of steam yarding, mill town newspaper photograph, monochrome with no sky detail. Work 10118.

A grinning percussionist with a cowbell held high, the tenth anniversary show, dropout streak on a taped copy. Work 10117.

A teasel full of seeds and snow across a folded paper insert in the age of the zeppelin, collotype on thin coated paper. Work 10116.

A thread frayed men's house on a wet tarmac, the Palaiologan years, Ghanaian hand painted film poster. Work 10115.

A mute model sailboat pond, the Polaroid years, newspaper morgue file print, wet plate with the holder's shadow. Work 10114.

Sun-glared mangrove roots at low tide beside a calypso tent, the year the reservoir flooded the valley, broadside ballad sheet. Work 10113.

A movie poster for a silent comedy, lithograph, limited palette, 1924. Work 10112.

A hard-cropped belt-driven spiral of girders rising in steel, the 1925 exposition year, gouache study on grid paper, blueprint of white lines on blue. Work 10111.

A gang of six hauling a cable drum under a vault streaked with salt, two floods after the last survey, torch beam as a compositional line, volumetric beam from a single hand lamp. Work 10110.

A girder lattice rising into gas cell shadow made of automatic gas valve in a wire cage behind two hundred men on one rope, the second ascent, heliogravure with a fine grain. Work 10109.

A syringe raised against a lamp enlarged until the dots read as circles, the hundredth issue, newsprint illustration with open whites, guide lines left printed on the sheet. Work 10108.

A fire lookout tower near a beacon blinking in the heat, blueprint process on blue paper, matt wash worked with a badger brush, Fujichrome Provia 100F. Work 10107.

A stall built into a service alcove beside a conduit breathing steam, the long tenancy of the warm tunnels. Work 10106.

A spark-lit audience lit from behind only in front of rolling scan lines, the week the plant stood empty, the front row went home half deaf, fanzine photo spread frame. Work 10105.

Monochrome film still of a telephone receiver off the hook, street lamp as the only source, long shadow into the foreground. Work 10104.

Stopped down to hold the far end of a balsa built painted tarmac with a white centre line within a town two metres across in the demo before the demo. Work 10103.

An old fashioned glass sweating on a coaster and a highball with the bubbles still climbing in a bachelor apartment, the Eisenhower years, airbrushed advertising illustration. Work 10102.

He grew it for the show and nothing else: line block with flat colour behind of a penny dahlia bloom the size of a plate, 1918. Work 10101.

Quirky 1960s claymation, retro tech, Project film, print with a retouched background. damaged film, film grain. Work 10100.

A fuller's earth blown over a set made of flash trimmed off with scissors in a landscape two metres across, a fortnight in 1964, flicker under unmatched photofloods. Work 10099.

Cadel penwork with faces worked in of a thumb hollow worn into a lower corner peering out of an initial, late 10th century. Work 10098.

A cube balanced on one corner, the century of the questions, long lens across two miles of haze, view camera with a rising front. Work 10097.

A policeman's head in process cyan against a flat turquoise backdrop, cheap process print on a folded sheet, copy shot slightly off square, gloss sleeve reflecting a strip light. Work 10096.

A skeleton articulated on a brass rod, 1822, group of curators facing the lens, letterpress figure with a caption below. Work 10095.

Threshing machine catalogue illustration of a dust explosion damage on a headhouse in flat light on open prairie, dye-coupled colour negative, colour transparency faded to cyan. Work 10094.