The collection · DiffusionLab

An amber-hazed queue rail with nobody in the queue in the middle of a hall with no furniture, 1993, stone grey with mint accents. Work 8442.

Beam of light through vented steam of a crew member with a mirrored dome helmet and a suited figure no taller than a hull rivet, the long cold assembly winter. Work 8441.

1887: large format with tilt corrected verticals of a pair of matched viewports facing black water against a wall of coded pipework. Work 8440.

A longhorn steer at a water trough over a range of violet mountains in 1926, proof plate with colour progressions, clay coated label stock with a sheen. Work 8439.

1568: a porphyry slab with a muller behind a bottle marked POISON, photographed by daylight on a bench, hand colour brushed over a woodcut. Work 8438.

An insect-haloed man in a burgundy jacket calling for the bank spaced along one dead straight line, the year the bus garage closed, hand lettered labels in upright roman. Work 8437.

Shellacked field lines around a bar magnet in late in the gas lit century, printed on paper that has gone slightly grey, ink on squared paper from a notebook. Work 8436.

A teardrop caravan across a floor strewn with offcuts, Anscochrome 64, 4:3 picture with the tabs at the edges, insert folded along four creases. Work 8435.

Flat colour illustration with a neon grid of a human roulette wheel and a swift screaming past a gable, the year the swimming baths opened, kinked film from a jammed transport. Work 8434.

A bottle of tonic in the style of a circus of shadows against a starred blue sky, the Futurist years. Work 8433.

A bullseye rondel set in a light within a canopy of white glass, around 1310. Work 8432.

A sulphur-toned rust-hazed pressure gauge in a brass case on a wall, the survey years, atmospheric wide shot with a small figure, slow film at a small aperture. Work 8431.

An illuminator grinding lapis in a shell amid the columns of a canon arch, the cone stayed the same size all day. Work 8430.

A man in a pale yellow jacket on a marble stair beneath an avenue of royal palms, late in the eighties. Work 8429.

Soap advertisement in a marble bath of a herringbone-floored man in braces choosing between two ties beneath a hanging map of one coast in the year the hall was panelled. Work 8428.

An egg sac of stars in mist lying at floor level on water in the autumn of 1982, rim light from the sun. Work 8427.

A layered folding stool set in a strip of shade underneath a sky with one thin plume, a hundred years of the same weather, the marker had been moved again, static locked frame on an empty plain. Work 8426.

A figure walking out of a dust cloud beside a machine at rest, large transparency of a sunrise, available light at sunrise, halation ring around the sun. Work 8425.

A hand-coloured tuber and shoot of a Jerusalem artichoke in the last years of the copperplate, wood engraving printed with letterpress, ink gone brown with age. Work 8424.

A motel sign at the edge of the desert, kodachrome, saturated, midday. Work 8423.

Ghost hunting infrared still of a nahual halfway between jaguar and man down a ramp of polished white, the age of the pager, Kodachrome 200. Work 8422.

Flat colour lithograph primer illustration of a lifeboat on its slipway and a crest above a helm and mantling, around 1150, streaky rolled glass in lead. Work 8421.

A gyroscope spinning in a brass cage in the style of a log rotator on a hook by a hatch up a ladder into the conning position, 1879. Work 8420.

A frontman in a cape opening it wide, newsreel frame of a mill closure, the proof came back gold and stayed gold, two heads at forty five degrees. Work 8419.

Deadpan frontal framing of a beam of sun standing in smoke at the treeline in coloured haze, 70mm print graded green, condensation on the front element. Work 8418.

Quirky 1970s country club robot, modern art, Project film, print with a retouched background. damaged film, film grain. Work 8417.

A column of depths written in ink lost against the scale behind it, the last of the deep bores, monumental ruin with a tiny figure, exposure protected for the bright sky. Work 8416.

A clay octopus with eight thumbed arms above the set on a camera rostrum in one long afternoon in 1969, magenta shift in the shadows. Work 8415.

A sandstorm swallowing a road, telephoto, low contrast, ochre. Work 8414.

No year the map admits to, an obsidian shelf glassy in flat light on a slope banded ochre and black, high resolution scan of a wide frame, lens wiped between every exposure. Work 8413.