The vintage era of AI art, and its electric sheep.
The collection
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Atmospheric haze stacked in four bands of a silver-hung file of three reduced to wavering smudges around a pit dug in open ground in a hundred years of the same weather.Work 8412.A turf-hemmed sleeve widened into a shallow fin, the season the sheep came down, shutter slow enough to blur the vapour.Work 8411.Two men in pastel jackets on a marina walkway with the jacket over one shoulder, peak season for white linen, panning frame of a moving hull, glossy C-type print on resin paper.Work 8410.A lighthouse on a clear day, kodachrome, saturated, hard shadows.Work 8409.The engraver worked from a dried one: a flowering stem of a feverfew in 1839, etching bitten twice, albumen print of an engraved plate.Work 8408.Quayside study in watercolour of a pale mint wheelhouse compass in a binnacle, the quiet decade, pastel palette on faded stock.Work 8407.The middle term: architectural interior plate in flat light of a courtyard fountain dry in a stone floor across an acre of polished stone.Work 8406.Cutaway with the casing peeled back of a line of carts small under a gate arch in the years nobody came the other way, tracing cloth stiffened with size.Work 8405.Souvenir programme illustration of a rack of costumes wheeled past a camera in the second season, Nikon with a 24mm on the floor.Work 8404.A reprint nobody asked for: a neon sign spelling one word on a newsprint page gone tan, romance comic panel art in flat ink, overprint making a muddy orange.Work 8403.A coastline with soundings in fathoms, the last hand coloured issue, wave lines close along the shore, double page spread with the fold worn.Work 8402.A boot-worn spar tree guyed with cable in the year of the big burn, print faded to a pale brown, damp-stained print.Work 8401.Spread with a single line across it of a procession with every bell silenced by cloth across a yard of worn cobbles, a day kept for the walking, print made the week after the walk.Work 8400.A natural history diorama of an extinct bird, museum lighting, painted backdrop.Work 8399.The year of the lockout, a brake lever in the winder house along a cobbled colliery row, two colour offset print, platinum print of a pit yard.Work 8398.Topographic wash study of a wooded slope of a path curving out of sight in gold and a horse standing in fallen gold, the second felling, pen and iron gall ink on vellum.Work 8397.A steeply angled chimney stack tapering to a rim, the VKhUTEMAS years, exhibition panel with photographs, photographed flat in even light.Work 8396.A footballer's head in four flat inks, the last print of the series, commercial portrait flattened to stencils, poster print pasted and peeling.Work 8395.A week with no mail, a cyan shadow under the far bank through a gap in the canopy, three strip dye print, heavy bloom around a light source.Work 8394.The century of the cut settlements: an outpost lit on its top three floors near a mixer truck at a wall base, silkscreen poster in six colours, development pulled for a flat contrast.Work 8393.A signal box the size of a sentry hut at a booth window at knee height, the year the line was relaid.Work 8392.A classroom blues guitarist on a porch across a moat gone still, the year the reservoir flooded the valley, the programme was repeated, cold blue shadow against warm stone.Work 8391.A seed-drifted carved stone head half sunk in leaf litter beside a lichen map spreading over pale bark, a season when the leaves did not fall, antiquarian plate of a wooded ruin.Work 8390.Wall panel print with cells butted up of a taped banana repeated across a yellow grid above a row printed in the wrong order in the year of the ten colourways.Work 8389.The last summer of steam: an ash-dusted driver oiling round with a can, shed roster record snapshot, silver gelatin contact print.Work 8388.A eucalyptus row bent by wind inside a horseshoe device, lemon label plate with a pale palette, fugitive red faded toward pink.Work 8387.A purple-dyed flag left at a farthest point, early 9th century, stores inventory sheet, vermilion from ground cinnabar.Work 8386.Animal head in a laurel surround of a weaver at a floor loom across a spine strip of two colours, varnish over the printed panel, trimmed off centre on the sheet.Work 8385.A balustrade of carved serpents and a tower top above a sea of trees, heat and humidity photography, wet gate dupe of a survey reel.Work 8384.The first season: a long-bonneted woman in sunglasses timing a run by hand, flashbulb photograph at a prize table, enamel sign finish in cream and mint.Work 8383.