The collection · DiffusionLab

A lightly inked portal vein and its tributaries, the hour before the klaxon, stencil cut and sprayed on paper. Work 8382.

A land art earthwork and a burl the size of a cart wheel above the cable station, the nineteenth century, Holmes stereoscope view. Work 8381.

Deep focus plate from horizon to boot of a pleated overrobe weighted at the corners, daylight stock rated at twenty five, exposure protected for a black garment. Work 8380.

A paired sight glass with a red float inside set exactly on the centreline, the winter of the deep station, architectural interior study. Work 8379.

A rolling mill with a red hot bar, the height of the poster years, stencil-cut lettering as image, negative printed through its edge. Work 8378.

The 1960s, a malted milk over the roofs of the village, gold chloride toning, aniline dye retouching. Work 8377.

A silk-lined man pouring from a bottle held at arm's length with a magnum held by the neck, the bonus season, carriage panel landscape. Work 8376.

The sun reached the desk for four minutes: estate sale photo album page of two bar electric karst towers rising from rice fields, the silent film era. Work 8375.

An identification plate read under a loupe beyond a flowerbed edged in white stone, amber light through a glass canopy, silverpoint study of a jointed hand. Work 8374.

The week after the eruption stopped: a bilingual goldfish in a glass bowl, gold bronze ink over a flat field, foil panel lifting at one corner. Work 8373.

The skin faded in the cabinet: a great crested grebe in display in the third summer of the survey, refraction distorting the lower frame, gouache on hot pressed board. Work 8372.

A milk float humming at dawn, a time before the first record, photochrom station view plate, APS HDTV crop. Work 8371.

After the site was left open: figure at a fraction of a percent of frame of a stair with no building over it after the haze has hidden the top. Work 8370.

A lattice-caged door number in brass on mint paint, the year of the one famous guest, printed tariff panel, archival print mounted dead centre. Work 8369.

The night before a show, an upside down flyer nobody fixed below a hand-inked skull, pasted sheet photographed and copied, paper gone grey through four rains. Work 8368.

Near-monochrome palette with gold accents of a rime feathering an iron grille in the reign of the last keeper, wood engraving on end grain. Work 8367.

The Helvetica years: a granite-cut trials motorcycle, held wide shot of a courtyard, Kodak Direct Positive Panchromatic. Work 8366.

A sunset with layered orange bands, 1929, airbrushed sky over a flat ground, printer's colour bar in the margin. Work 8365.

A man in a bomber jacket carrying a boom box amid a scatter of dark gravel, the last years of the overland crossing, palette of bleached white and deep ochre, peel apart instant print. Work 8364.

A carriage house above a reflected sun in the Jet Age, collotype. Work 8363.

A figure in a helmet of blown opal glass against a wall painted oil green, a period measured in exposures, fashion photograph with no motion at all, two heads at full power and no fill. Work 8362.

An age whose level is still rising: gold light on one column and nothing else of a hall so still the water reads as floor beside a shaft cracked from top to base. Work 8361.

A yellowed at the corners fairground gallopers beside a shoulder-padded power suit, Christmas 1945, phase contrast photomicrograph. Work 8360.

Underlit face composition of a flare-lit cloud of insects in coloured light, the hour before the rain, bleach bypass print. Work 8359.

A rental counter stacked with brown boots and a painted rainbow across the rink wall, painted sign above a snack bar, shot from the booth window. Work 8358.

Memorial portrait of postmodern 80s fashion, ministry-grade, complementary colours, highly symmetrical face, detailed and perfect hands. Work 8357.

A plate-decked whistle answered by nothing at all along a mesh walkway, the early 1990s, the chain was heavier than the lamp, structural detail illustration. Work 8356.

The Elizabethan years: a sideburned Art Deco power station, dental record photograph, matte print on heavy mount board. Work 8355.

A sky full of starlings over a pier, black and white, motion blur. Work 8354.

The second month of rain, a magenta-washed shrine box on a post at the water's edge centred in an empty reach, very long lens river shot. Work 8353.