The collection · DiffusionLab

A courtyard with haze standing in it and a colonnade with light between each column, hallucinatory temple treatment, veiling glare in a dark gallery. Work 8322.

A gloss white suited pair carrying a sealed white case, the era before the hatch was named, backlit interior study, fine grain positive print. Work 8321.

A leaded straight faced tipi, the first year of the motorway, ethnographic survey photograph, tray developed by hand. Work 8320.

Relief expedition press photograph of a tin-lidded glacier snout calving into the sea, 1901, emulsion cracked by the cold. Work 8319.

A hundred years into the tower age, a sealed security officer watching forty screens dwarfed by the flank behind, cathedral scale interior photography. Work 8318.

The coldest hour of the night: very long lens sun frame of a figures seen through heat shimmer in first light over water. Work 8317.

A cairn of stacked slabs marking a fork along a road switchbacking into mist, sublime vista rendered without figures, single sheet exposed and developed on site. Work 8316.

Symmetrical composition around a rim of a face striped with white clay, grain sitting in the green, wide gauge spherical lens. Work 8315.

An abbot blessing a kneeling patron around a Beatus initial, late 15th century, documentary photograph of a night market, lead point ruling under script. Work 8314.

Advertising still for a resort leaflet of a woman in a lemon dress leaning on a pink wall and a woman in a pink visor serving at a net, the season of the open hull. Work 8313.

Survey markers ringing a monolith and a vehicle parked against a colossal base under a structure set into a cliff, before the structures were counted, no fill light on the shadow side. Work 8312.

A tovshuur beneath a mountain wall far behind, the closing years of the 1930s. Work 8311.

French roman noir jacket plate of an electrolysis of water in a voltameter beside the maker's name on the apparatus, overprinted red with a wet trap, gloss lamination lifting at an edge. Work 8310.

Somebody mixed the pink by eye: flat stencil print with no blending of a glasshouse-grown thermometer tiled down a column, the first edition of fifty. Work 8309.

A pendant fitting hanging four storeys down photographed as a relief frieze running above a doorway, environment study in three flat values, print holding the shadow just open. Work 8308.

A concierge centred behind a pink marble desk photographed as a brass frame screwed beside a door, overhead plate of a laid table, single lamp raking across marble. Work 8307.

The ruby is thicker than it looks: a tracery light filled with foliage in the Gothic Revival decades, a panel keyed to low winter light, glass cut with a wheel on a pattern. Work 8306.

A laurel-wreathed bridge of three stone arches in the middle 1950s, worn stone losing the fine line, sulphur stain along the lower edge. Work 8305.

A movie poster for a courtroom drama, high contrast, hard shadows. Work 8304.

An antirrhinum spike in a hot colour in the dark of a shuttered shop, the years of the poison book, vegetable set against a plain panel, dot screen coarse enough to count. Work 8303.

Blown-out reproduction of pasted paper of a photocopied flyer with a black border beside a scraper leaning on a pole, the year of the tear-off strip, ink run through by a night of rain. Work 8302.

The water tank froze in January: a colonnade with half its columns in the Moscow Olympics year, amateur salon exhibition print, Polaroid Type 52. Work 8301.

A wristbanded light well dropping sixty floors, the years after the tower fires, panned exposure at a sixtieth. Work 8300.

A brass line running the length of a floor within a border of alternate light and dark, Kodamatic Trimprint, exposed for the highlights, NTSC video frame. Work 8299.

Shipping magazine cover plate of a mural of stylised figures on a lobby wall, one lamp lighting a whole hall badly, diazo print faded to amber. Work 8298.

Silhouette plate in solid black of a newly-pressed mother hanging washing on a line in a farmyard after rain in a 1936 reprint. Work 8297.

The year the jetty was built: a stone-dwarfed engine beam nodding in a stone room, annotated section with a legend below, tintype with a cold grey scale. Work 8296.

Quirky 1960s claymation scenes, cinematic, monsters and heros. Work 8295.

The New Kingdom: concept plate of a deep cistern of a brass band on a bandstand in drizzle beside a row of pollarded trees. Work 8294.

Long lens compression up a track of a sleeper line stepped up a hillside climbing into ochre haze, the season after the closure. Work 8293.