DiffusionLab

The vintage era of AI art, and its electric sheep.

The collection

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A botanical plate of an invented flower, hand coloured engraving, 1840. Work 8292.
A cutaway of a building with people inside, architectural illustration. Work 8291.
An armatured stag with brass antlers and foam offcuts in a cardboard box, rear projection plate behind a moving beast, raked light showing every seam. Work 8290.
A felt-shod control car hung below the hull below a stencilled frame number, the year of the forty cabins, matte fabric against polished tube. Work 8289.
Sledge design line figure of a lead of black water through the floe off a barren coast, hand tinted with thin washes, album page with corner mounts. Work 8288.
An erlking with the lips in one flat scarlet, the winter of 1986, saleroom catalogue plate, coma on the points of light. Work 8287.
A glue-stained motor scooter with a windscreen under glassine in an album, 1930, export label with bilingual type. Work 8286.
A swimming pool changing room, damp light, tiles, echo. Work 8285.
The third season on the bottom, an air reservoir of riveted plate near an anchor fluke in the mud, collodion negative varnished warm, blueprint with hand lettered notes. Work 8284.
A firewood stack under a root overhang beside a stream running clear on stone, sixteen pages on eight sheets, silver gelatin on a matte surface, telephoto at four hundred millimetres. Work 8283.
A plum with a dusty bloom in the style of a Dutch tile of a windmill on a green sand moulding floor, the Letraset years. Work 8282.
A perfectly axial water fountain set into a stone wall in the quiet tenancy, verticals held exactly parallel, 70mm interior frame. Work 8281.
A petal-strewn well shaft ringed with cut stone, the last season of clearing, bloom off a lit stone edge. Work 8280.
A column of figures with bells on poles in front of a cottage in flower, he grew it for the show and nothing else. Work 8279.
A suited figure on a curved white ramp and a clapperboard held up for the second take, gouache illustration of a finale, time base wobble in the blacks. Work 8278.
Process red and cyan figure study of a dentist's lamp swung down in the year the dots got bigger, screenprint on stiff white board. Work 8277.
A dive log ruled into columns photographed as a pole star shifting on its circle, construction photograph of a dome shell, tungsten balance gone warm. Work 8276.
A switchboard with a seated operator, Kalamkari temple hanging, we had the flat above, digital ICE artefacts. Work 8275.
Flower in colour and root in line of a flower and pitcher of a Nepenthes, hand colour over an engraved line, relief print taken from the leaf. Work 8274.
A row of six identical heads inside a lift of mirrored panels, high contrast portrait in two tones, flesh flat printed over a magenta ground. Work 8273.
An iron ring set in a mossy slab on the gravel sweep of a great house, the third age of the great trunks. Work 8272.
A russet rail-sided grove gate with a wrought iron arch, 1927, idealised grove landscape plate, wood grain pressed into the paper. Work 8271.
A figure in a hood of woven horsehair and two figures in matching sculptural gowns, colour study of texture and volume, green held true through the whole frame. Work 8270.
A factory floor annular eclipse through clouds over a docking ring with its guides lit, New Year 1950, folding bellows camera snapshot. Work 8269.
A lichen-flecked road cut running into a rock face beside a tunnel portal with a concrete surround, the last of the great pours, monumental portrait of a structure. Work 8268.
A vine-crowned succotash toward a flyer pasted upside down, the space age fashion years, only the initials, silk shading embroidery. Work 8267.
Nobody sat on the terrace after four: one point view down a corridor of a numbered in brass telephone cabinet of polished wood, the last full season. Work 8266.
The 1925 exposition year, a pair of searchlights crossing over a photograph printed coarse, heavy black ink filling the fibres, blueprint of white lines on blue. Work 8265.
Shibori dyed cloth of a brolga in 1666, Kodak T-Max 100. Work 8264.
An ice auger turning in thick floe with two hundred miles to go, the mid 1920s, depot location sketch map, blue shadow across a snow field. Work 8263.