The collection · DiffusionLab

A hang glider pilot running off a cliff, Works Progress Administration poster, nobody paid for the second printing, photoflood bulb. Work 8262.

Real photo view print of a fleet of a fish train loading at a quay siding through the lock gates of a fish dock, flare from a deck light, quarter-plate negative from a hand camera. Work 8261.

An apostle holding a closed book made of scribe sharpening a quill with a knife above a scale in inches and feet, late 13th century, tin leaf toned to look like gold. Work 8260.

A weeping willow over a tomb in a net barking shed, the Saudi oil boom. Work 8259.

A hallucinatory route number painted on a cliff base among stones set out by somebody, the season the horizon lied, the ground read hotter than the air, slow cinema frame with no movement in it. Work 8258.

Coloured chalk on a tinted sheet of a keen-eyed gannet plunging bill first, 1785, register a whisker out on the eye. Work 8257.

A correction lifted out with tweezers photographed as a figure in a gown ribbed like a seed capsule, typographic specimen spread, handbill on thin newsprint. Work 8256.

A man in a satin jumpsuit with a wide belt beside a wind machine on set, acrylic and airbrush over a photograph, spot gloss varnish on a logo. Work 8255.

A battery stall with terminals bare, a winter far down the next century, dense foreground occlusion, polarising filter on a deep blue sky. Work 8254.

A chicha morada astern of the towing ship, the autumn of 1987. Work 8253.

The years of the survey, a cicada noise in a stone corridor below a collapsed roof, haze held in the beam by a fan, arc lamp through a doorway. Work 8252.

The 1990s: ajrakh block print of a resonance tube with a tuning fork along a street of painted fronts. Work 8251.

The third season at the site: a lamp-washed observer kneeling to touch the slab base, dead symmetrical group composition, negative exposed for the dust haze. Work 8250.

Mezzotint in dark brown of a rhizome of a yellow gentian where the plate mark still shows, quarto sheet folded once, platinum print of a pressed sheet. Work 8249.

A station as a speck against a planet across a deck with rails both sides, the last of the crewed stations, frame with two thirds empty black, ghost image from an internal reflection. Work 8248.

Figures elongated to fill a lancet of a soldered joint bright on old lead with the modeller's hand just out of shot, late 12th century. Work 8247.

Tripod plate at a small aperture of a brush laid across a paste pot rim in the week of the inspection, photogravure plate in a portfolio. Work 8246.

A man in a coral shirt at a grill on a deck made of woman in a hot pink swimsuit on a high stand in a marina of gleaming hulls, an age counted in fallen giants, cross processed frame with a cyan shift. Work 8245.

An interviewed heart trace on a small green screen inside a tank hall on a night shift, the second series of the upgraded eye, sterile symmetry composition. Work 8244.

A shift-worn tower base with a sealed steel gate, some March a very long way ahead, orange and black colour scheme, high resolution scan of a painted plate. Work 8243.

Flash lit macro of a specimen of an unadorned light canopy over a market floor on deck chocks in the rain in the slow decades. Work 8242.

A luminous edge-lit runner stopped mid-stride on a curved floor, the year the ring was closed, measured stillness in the frame, archival print with pure paper white. Work 8241.

January 1986: gouache presentation illustration of a woman in a cocktail dress on a chrome bumper beside a rank of keys on hooks. Work 8240.

Mist separating each range from the next of a tower window no wider than a hand, stone lithograph in four greys, print on matte paper with no gloss. Work 8239.

A bell bench for six seated men made of stone pier footing grown over with weed against a wall of dressed blocks, the season of the shallow works, orthochromatic plate through green water. Work 8238.

A figure numbered gas jar inverted over water, eighteen months of animation, blackboard chalk over a printed outline. Work 8237.

Quirky 1950s cartoon, modern art, Project film, print with a retouched background. damaged film, film grain. Work 8236.

A perfectly centred engine room of matched twin cylinders in a crew mess between two benches, the last inspection, the searchlight found nothing that night, interior with three planes of depth. Work 8235.

A quietly absurd tea can warming on a tiny boiler dwarfed by the plain around it, the short seasons, timetable leaflet cover image. Work 8234.

The plug was pulled at half eleven: black and white with blown highlights of a long-billed quail hidden in a hayfield, a hundred degree July. Work 8233.