The collection · DiffusionLab

A sun the width of the whole frame, a day that started orange, two band colour composition, front element hazed by salt air. Work 8232.

An air grille in a numbered stone panel at the foot of a splitting stair, a year with no report. Work 8231.

High angle from an upper terminus of a crossing plank set between the rails and a brass window of a ticket booth, 1898, halftone in a timetable booklet. Work 8230.

Ultra-wide frame with no horizon of a figure dissolved at the edges by glare in the age of the bright corridor, clean gradient held on a big negative. Work 8229.

An inflatable dome and an elevator being pulled down by cable under fluorescent tube lighting, the second half of the century, moiré patterned halftone. Work 8228.

A mesh diamond pattern in hard light among cage pallets of offcuts, blueprint of a yard boundary, colour transparency gone orange, daylight stock gone amber. Work 8227.

Colour timed toward magenta of a marigold-hung half sunk barge with a tree growing out of it among dugouts and nets in the monsoon years. Work 8226.

A sounding-marked flashed letter carver, Christmas 1962, tatted lace, Super Anscochrome 100. Work 8225.

A promenade of striped awnings under an awning of stripes, aviation poster from the cockpit, four pin holes at the corners. Work 8224.

A moth-nibbled saw tooth roof with broken glass beside a clockwork doll, the Yuan dynasty, CRT scanline photograph. Work 8223.

Press photograph of a village walk of lamp-warm tweed flat cap among the annotations of a reader in the spring of 1958. Work 8222.

A henchmen in matching turtlenecks in the style of a paratrooper cutting his harness in the shadow of a giant robot, a giant sized special. Work 8221.

Quirky 1960s constructivist deco, retro tech, Project film, print with a retouched background. damaged film, film grain. Work 8220.

A puckered charted tulip worked in three reds, 1826, tent stitch worked over one thread, faded silk with a bright reverse. Work 8219.

A souvenir view rack by a revolving door made of entrance canopy with a scalloped edge off a landing of mint painted doors, the spring the facade was repainted, grain in the shadow under a stair. Work 8218.

Quirky 1960s constructivist country club, modern art, Project film, print with a retouched background. damaged film, film grain. Work 8217.

Tableau of crew in matched pairs of a grand salon behind a single oval viewport outside a lit oval viewport, the second season under the ice, oil on panel with glazed shadows. Work 8216.

Telephoto compression along a mill of an ore bridge over a stockyard, whole plate view camera negative, dry plate exposed by furnace light. Work 8215.

A nurikabe and a taiko ensemble, embossed Victorian scrap relief, cold-toned print in a blue grey. Work 8214.

A thinly-printed bottle-green surface with no mark or joint on it, the patient centuries, horizon set on the lower third, varnish over the printed panel. Work 8213.

A figure in a crest of peacock eye feathers against a backdrop of unlit teal, plate camera on a geared column, print with a deep gloss and no texture, frame with the film edge in the print. Work 8212.

A pelican in her piety made of glass painted on a light easel through glass full of bubbles, late 14th century, joints soldered with tallow flux. Work 8211.

An improvised festoon lighting along a wet wall in a winter deep in the coming century, photochemical print with a cyan bias, colour transparency with pastel walls. Work 8210.

A tally of paces cut in a kerb and a road standing above a flooded plain, matte painting of a road across water, halation glowing at the gate opening. Work 8209.

Modeller's prototype reference photograph of a humping engine at the top of the hump at a shed office door, colour print gone magenta, fast panchromatic film at ASA 400. Work 8208.

A cable of a suspended light fitting with the ballast already released, a year with no report, mirror symmetry across a marble hall, duotone in grey and mint. Work 8207.

A carving-lined carving furred with grey lichen beside a stone basin of green water, a day the stone stayed cool, a clerk numbered the sheets out of order, mirrored tower framing. Work 8206.

A rain squall walking up the channel near a rope ferry crossing, smoke diffusion in front of the lens, daylight stock pushed one stop, bounced light off white canvas. Work 8205.

A heat column rising with no cloud above made of walker stopped with its back to the sun above a band of shivering air, the far end of a long afternoon, 4x5 transparency in full glare. Work 8204.

Ultra wide composition with two thirds sky of a salt-stiffened column of figures crossing a dune crest, a week of unbroken white sky, five perf 65mm stock rated slow. Work 8203.