The collection · DiffusionLab

High saturation with no midtones of a traveller at the end of a shaft of magenta in the long fall through colour, reversal film with hard colour edges. Work 8202.

A pyramid set piece in gold paint on a stoop built in a studio in the gatefold years, ink and dye on coated board. Work 8201.

A trackside hut of mint boards, flat even light with no sun, the timetable ran on two trains a day, hand tinted print in thin washes. Work 8200.

Test footage of a walk cycle of a lamp warmed plasticine doctor with a wire stethoscope, a wet Tuesday in 1966, lab scratch across a bright area. Work 8199.

Quirky 1960s constructivist robot, modern art, Project film, print with a retouched background. damaged film, film grain. Work 8198.

A damp-stained doorway half filled with quiet water, the long wet age, volumetric shaft through interior haze, whole plate negative squared to a facade. Work 8197.

Quirky 1960s claymation, creatures, Project film, print with a retouched background. damaged film, film grain. Work 8196.

The first Edinburgh edition, a brass-geared sun projector with a shutter blade with the veins in blue, hand finished in body colour. Work 8195.

An over the moon Portuguese Viana gold with water to the ankles, the Wirtschaftswunder, offset print over a coarse halftone. Work 8194.

The years of the penny packet: tempera study for a list cover of a globe artichoke on a long stem in a glass vase on a kitchen sill. Work 8193.

The last night of the booking, a figure seen from behind in a shell cape inside a space with no visible wall, fine grain holding every scale edge, standard lens with no falloff at the edge. Work 8192.

A canopy-dark smoke going flat at the treeline in a fortnight without a signal, magenta gel on a lamp, contact print from a location negative. Work 8191.

The last summer before the road, a pink-marbled kitchen pass hung with copper pans stencilled with a stores number, haze filled lobby held perfectly level. Work 8190.

Quirky 1960s constructivist, retro tech, Project film, print with a retouched background. damaged film, film grain. Work 8189.

Sparrows in the driveway rafters made of elevator reflected in a slough beside a slough in spring, the dust years, contact print from a roll film negative. Work 8188.

A sound engineer behind a glass panel, the era of the numbered face, green readout as a colour accent, long lens down a lit corridor. Work 8187.

Quirky 1960s claymation, retro tech, Project film, print with a retouched background. damaged film, film grain. Work 8186.

Quirky 1960s claymation scenes, cinematic, Hippies and Preppies, reproduction with the paper grain in it, scanned from a well-read copy. Work 8185.

Flat orange and green with no shading of a foxglove spire at the back of a bed weighed on the shop scale, 1918. Work 8184.

Quirky 1960s constructivist country club, retro tech, Project film, print with a retouched background. damaged film, film grain. Work 8183.

A sunset-backlit man in a pale pink shirt at a game of dominoes across a yard churned into mud, the decade the standpipe arrived, architectural section through a shaft. Work 8182.

Day-glo lettering over a night sky of a twin-cam wind machine lifting nine capes, a session in 1975, spot gloss varnish on a logo. Work 8181.

Quirky 1950s cartoon, modern art, Project film, print with a retouched background. damaged film, film grain. Work 8180.

1803: a pirated estuary with the sandbanks named, ships engraved under full sail, double page spread with the fold worn. Work 8179.

A multiplied rubber duck in four colourways in an edition nobody counted, print on wallpaper lining paper, dust trapped under the ink film. Work 8178.

Tinted ground with lights scraped out of a larynx from behind with the cartilages and pleural reflections on the chest wall, late Georgian, microfilm frame enlarged on paper. Work 8177.

Cloud-wrapped slate-grey sledge runners for moving dressed stone, the winter the chain went dark, wide plate with the horizon on the lower third, ink wash on laid paper. Work 8176.

A fern-screened white ring around a hundred trees inside a suit with the lamp on, the third day inland, nobody had cut this path, extreme widescreen jungle frame. Work 8175.

Quirky 1960s claymation, creatures, Project film, print with a retouched background. Work 8174.

Gouache with gum on the wing coverts of an arch wide enough for four abreast at a junction stone cut with three hands, the years the tunnel was cut, paper gone grey along a fold. Work 8173.