The collection · DiffusionLab

A concrete-poured tripod legs braced on a roof at the top of a rising arrow, the 1925 exposition year, rubber-stamped lettering. Work 8052.

1970s cartoon, glass negative scratched at the edge. Work 8051.

A rider leading two animals on foot and a lead walker setting a straight line, single flat colour over black line, bracketed for the haze and the stone. Work 8050.

A greenish pub menu with a green pint at the counter of a boot room, the last job before the works closed, the sheet slipped once and kept going, handbill art with hand-set type. Work 8049.

A man in a cream jacket betting on the tie beside a doorman in gold braid, she tipped in the highest colour they had. Work 8048.

The week of low sun: a landing zone marked with coloured smoke against a mountain wall, dream sequence sunrise still, printed down to hold the disc. Work 8047.

Underlit fluid tank photography of a reflection of five towers in still water, impression on wove paper, cabinet mount photograph. Work 8046.

Gouache heightened with gum arabic of a berry of a yew on its twig in 1819, mezzotint on soft paper. Work 8045.

Every copy was dubbed at high speed: photocopied insert at brutal contrast of an eight-up four track recorder with all lights on, the week the deck ate a tape. Work 8044.

An ice cream sundae with a dotted cherry in the style of a cat arching on a dustbin lid over a yellow halftone sky, the era of the four ink press. Work 8043.

The opening years of the 1860s, a strip-lit cornet with a pint glass held by the rim, Art Nouveau poster. Work 8042.

A grey-going staple row along a telephone pole peeled back to the layer beneath, the winter the paste froze, photograph of a photocopy on a wall. Work 8041.

Quirky 1960s constructivist, retro tech, Project film, print with a retouched background. damaged film, film grain. Work 8040.

Double-printed page slightly out of register of a face pressed to the copier glass and a contact sheet copied at wrong contrast, the winter of cheap copies, thin newsprint copied and folded. Work 8039.

A ridge after ridge to a white sky photographed as a guide pointing at an empty horizon, hyperreal render with grain in the air, dye transfer print in indigo and sand. Work 8038.

1970 cartoon, animation, film still, distressed. Work 8037.

Two birds facing a flowering urn along a hemstitched edge, she was eleven when she worked it. Work 8036.

Ruling pen border with corner flowers of a grocer weighing sugar on brass scales and a bird nest with four speckled eggs, a 1936 reprint, tipped in colour plate with a tissue. Work 8035.

A sea cock with a red painted handle, Victorian scientific engraving colourised, the manifold wheels were all set open, magnesium flash inside a steel space. Work 8034.

A recessed window rank in full shadow along a channel running dry in before the upper terraces were cut, development pushed for a hard edge. Work 8033.

Photogrammed trimmed flush marionette carved as cylinders, the last Berlin year, lower case setting throughout, glass plate negative contact printed. Work 8032.

Gouache poster study on board of a videophone with a rotary dial, Ferrania P33, offset litho in flat primaries. Work 8031.

The baths were built too late: an inrush water pumped from a sump in 1900, seaside resort harbour poster, watercolour wash on cold pressed paper. Work 8030.

1863: a switchboard jack and plug in the blowing room in fly, the office manner with no ornament, print trimmed to the border rule. Work 8029.

The artist never saw the valley: flat colour lithography with a keyline of a brass-plated joshua tree against a pale sky, the middle 1930s. Work 8028.

Woodcut with the colour outside the line of a vagus nerve traced to the abdomen and a lobule of the liver magnified, 1664, copper engraving on a folded sheet. Work 8027.

A fluid-bright examination couch with paper covering within a hall of twelve lit columns, the decade the inspections became yearly, draughtsman's plate of a hand. Work 8026.

Three kings on caparisoned horses, Carolingian pen work in brown ink, the gloss argues with the text, gold leaf over raised gesso. Work 8025.

A trimmed to the neat line tidal diamond with hourly arrows, the great trigonometrical years, chromolithograph with graded depth tints, cyanotype of a field sheet. Work 8024.

A crimplene nativity play with tea towel shepherds around a central medallion, the Silver Jubilee year, the lease had eleven centuries to run, panoramic map. Work 8023.