The collection · DiffusionLab

Tableau lit for one exposure only of a groomed figure whose surface reads wet and is dry beside a fountain in a hotel garden in a year named only by its colour. Work 8022.

The barman ran out of ice by three: society page colour photograph of an unpeopled model of a building inside a larger building, the middle term. Work 8021.

1934, an unlit weather chart pinned in the radio room with the hatch still open, popular magazine colour plate. Work 8020.

A sandstorm swallowing a road, telephoto, low contrast, ochre. Work 8019.

A washbasin that folds into a wall in the style of a piano stool centred on a patterned rug beside a navigation table under a lamp, the year the hull was silvered. Work 8018.

A fume-hazed man in slippers on a balcony at breakfast in the opening years of the 1970s, grainless large format colour, trimmed off centre on the sheet. Work 8017.

A war bond poster for a war nobody fought, lithograph, limited palette, 1943. Work 8016.

A pinnied envelope with a stamp upside down on a stage floor painted gloss grey, the glam rock years, the last coal burner went for scrap in 1958, photolithograph. Work 8015.

A gravel-floored tool rack with outlines painted behind beside a pool with a level surface, the year of the fourth cavern, presentation plate for a learned society. Work 8014.

An unflinching glaucous lake that swallowed a village with its steeple showing, the week the year repeated, reflection frame in a boat windscreen, retouched proof with pencil on the overlay. Work 8013.

A man in shirtsleeves with a pen behind each ear in a corridor of grey terminals in midweek in 1985, rotary press page with ghosting. Work 8012.

A crest-high long shadow of a rider at dusk, forty days out from the last market, large format view with a thin file in it, charcoal and chalk on toned paper. Work 8011.

An ice-glazed slash burning on a cut-over hill beside a boy bowling a hoop down a lane, the spring freshet, stereoview of a big stump. Work 8010.

1797: a lichen planted privet hedge of clipped flock, plate finished in nine colours, magenta creeping into the slates. Work 8009.

Paper peepshow of a firmly outlined mosquitofish beside a white convertible at a kerb in the autumn of 1986. Work 8008.

A stamped works mark on a billet end made of micrograph of a grain boundary beside a cooling bed of red bars, the summer of the big heat, videotape frame with head bars. Work 8007.

A silo rank throwing hard shadow and a worker sitting in a window reveal, stark contrast with the shadow blocked, red filter darkening a pale sky. Work 8006.

A crescent moon with a profile at the crossing of two leads in around 1530, thirteenth century medallion manner, cold paint applied and never fired. Work 8005.

A slow-drifting figure standing dead centre of a colour field beside a sheet of vertical streaks, the age of the lone passenger, ultra-wide frame with no horizon. Work 8004.

A woman in a scarlet dress on a pit gantry and a commentator in a blazer with a microphone on the pit lane wall in full sun, the gold livery years, lithographed circuit poster. Work 8003.

An imported pseudobulb and flower of a Cattleya, 1813, veins picked out in a darker tone, gum arabic left glossy on the petals. Work 8002.

A petrol station in the middle of nowhere, kodachrome, heat haze. Work 8001.

A tunnel mouth squared out of rock within a courtyard open to the sky, shift lens elevation of a facade, dust specks printed into the sky. Work 8000.

The years of the six-hour curfew, a cyan-edged arcade cabinet lighting two faces facing the lens with no expression, illustrated concept plate for a genre film. Work 7999.

A bobbin-laden camera pointed at its own monitor against undyed linen gone honey, the Iron Curtain years, the hall let them have it for nothing, listed building consent photograph. Work 7998.

Dust-shafted rivet seams marching along a bulkhead beside a stop knobs labelled in copperplate, the year of the first descent, atmospheric perspective inside a room. Work 7997.

A cemented damask ground scratched into paint set in a border of oak leaves, early 16th century, paint fired twice for depth. Work 7996.

Head printed over a squeegee streak of a cigarette held in flat red lips, a fingerprint set into the pink, flesh flat printed over a magenta ground. Work 7995.

The Maya classic period, a gold-edged hobgoblin sergeant above a marble dado, contre jour sunrise still. Work 7994.

An attendant lacing a rental boot, a Saturday afternoon in 1980, flash-lit rink photograph, Fujicolor 400 with mixed light. Work 7993.