The collection

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A megaphone cone on a tall pole pasted over a halftone crowd, the years of the new typography, magazine cover with an overprinted circle, over-inked to a solid black. Work 10039.
A bright video-bloomed crew member in a headset grinning, the autumn season of 1978, costume illustration in marker, heavy contrast under hard lamps. Work 9900.
A thick-inked fishwife's head in sour pink behind a microphone on a boom, the last print of the series, one head was pulled upside down, multiple portrait of one head. Work 8874.
One-roll document of a whole show of an unamplified hot spot of flash on a forehead toward a microphone held out flat in a hundred degree July. Work 8851.
An unamplified stage after a set with smoke still up past the end of the set, the spring of 1984, gig poster pasted and torn. Work 8129.
Gouache architectural rendering of a microphone on a chromed stand in the year the liner was launched, sepia toned print. Work 6459.
Wildlife field guide plate of a microphone taped to a lectern at a strip mine edge, 1987, newsprint halftone dots. Work 5835.
Kept on file indefinitely: a bog snorkeller in the Gilded Age, technicolor musical. Work 5230.
A sermon for the drains: a worm charming contest during a general strike, devotional prayer booklet. Work 5212.