The vintage era of AI art, and its electric sheep.
The collection
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A megaphone cone on a tall pole pasted over a halftone crowd, the years of the new typography, magazine cover with an overprinted circle, over-inked to a solid black.Work 10039.A bright video-bloomed crew member in a headset grinning, the autumn season of 1978, costume illustration in marker, heavy contrast under hard lamps.Work 9900.A thick-inked fishwife's head in sour pink behind a microphone on a boom, the last print of the series, one head was pulled upside down, multiple portrait of one head.Work 8874.One-roll document of a whole show of an unamplified hot spot of flash on a forehead toward a microphone held out flat in a hundred degree July.Work 8851.An unamplified stage after a set with smoke still up past the end of the set, the spring of 1984, gig poster pasted and torn.Work 8129.Gouache architectural rendering of a microphone on a chromed stand in the year the liner was launched, sepia toned print.Work 6459.Wildlife field guide plate of a microphone taped to a lectern at a strip mine edge, 1987, newsprint halftone dots.Work 5835.Kept on file indefinitely: a bog snorkeller in the Gilded Age, technicolor musical.Work 5230.A sermon for the drains: a worm charming contest during a general strike, devotional prayer booklet.Work 5212.