The vintage era of AI art, and its electric sheep.
The collection
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A marble square worn hollow at a doorway too grand for the four guests in it, the last full season, haze filled lobby held perfectly level, chromolitho in pink mint and ochre.Work 10214.A Polish amber chandelier under corbels carrying a road out, blue and white porcelain plate, polarising filter on deep water.Work 8616.An amber-hazed queue rail with nobody in the queue in the middle of a hall with no furniture, 1993, stone grey with mint accents.Work 8442.A cable of a suspended light fitting with the ballast already released, a year with no report, mirror symmetry across a marble hall, duotone in grey and mint.Work 8207.A hall of cabinets vanishing into haze, the week of the inspection, hand tinted plate in mint and pink, colour negative printed slightly cool.Work 8146.The season before the survey: a staff corridor of green painted brick above a floor of pink and cream squares, hand tinted view in pastel inks, mild falloff at the frame corners.Work 7192.Stone and water treated as one material of a haze-greyed gold light coming in low through a door in the fifth bay gone to pale grey in the age when gold was still on the plaster.Work 7064.A zebra-striped tin of floor polish at Christmas in a Soviet canteen, blue screen of death, chapel of rest light, giallo lighting.Work 3773.Portrait photography of mansion, highly detailed, symmetrical.Work 1384.